{"id":11,"date":"2023-02-15T20:38:10","date_gmt":"2023-02-15T20:38:10","guid":{"rendered":"https:\/\/cubmpd.ca\/cuagonline\/?page_id=11"},"modified":"2023-03-18T20:29:23","modified_gmt":"2023-03-18T20:29:23","slug":"2022-fall","status":"publish","type":"page","link":"https:\/\/cubmpd.ca\/cuagonline\/2022-fall\/","title":{"rendered":"2022 Fall"},"content":{"rendered":"\n<div class=\"wp-block-group alignfull is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group alignfull has-link-color has-small-font-size wp-elements-2662b2a9d44d5b5dd38ef3865b1cea09 is-content-justification-left is-nowrap is-layout-flex wp-container-core-group-is-layout-3e40e580 wp-block-group-is-layout-flex\" style=\"padding-top:0;padding-right:var(--wp--preset--spacing--40);padding-left:var(--wp--preset--spacing--60)\"><div class=\"wp-block-site-logo\"><a href=\"https:\/\/cubmpd.ca\/cuagonline\/\" class=\"custom-logo-link\" rel=\"home\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"97\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/02\/logo.png\" class=\"custom-logo\" alt=\"CUAG Online\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/02\/logo.png 677w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/02\/logo-300x117.png 300w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a><\/div>\n\n<nav class=\"has-text-color has-contrast-color has-background has-base-background-color has-large-font-size is-responsive items-justified-left wp-block-navigation is-content-justification-left is-layout-flex wp-container-core-navigation-is-layout-fc4fd283 wp-block-navigation-is-layout-flex\" aria-label=\"Navigation 2\" \n\t\t data-wp-interactive=\"core\/navigation\" data-wp-context='{\"overlayOpenedBy\":{\"click\":false,\"hover\":false,\"focus\":false},\"type\":\"overlay\",\"roleAttribute\":\"\",\"ariaLabel\":\"Menu\"}'><button aria-haspopup=\"dialog\" aria-label=\"Open menu\" class=\"wp-block-navigation__responsive-container-open\" \n\t\t\t\tdata-wp-on--click=\"actions.openMenuOnClick\"\n\t\t\t\tdata-wp-on--keydown=\"actions.handleMenuKeydown\"\n\t\t\t><svg width=\"24\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M4 7.5h16v1.5H4z\"><\/path><path d=\"M4 15h16v1.5H4z\"><\/path><\/svg><\/button>\n\t\t\t\t<div class=\"wp-block-navigation__responsive-container\"  id=\"modal-1\" \n\t\t\t\tdata-wp-class--has-modal-open=\"state.isMenuOpen\"\n\t\t\t\tdata-wp-class--is-menu-open=\"state.isMenuOpen\"\n\t\t\t\tdata-wp-watch=\"callbacks.initMenu\"\n\t\t\t\tdata-wp-on--keydown=\"actions.handleMenuKeydown\"\n\t\t\t\tdata-wp-on--focusout=\"actions.handleMenuFocusout\"\n\t\t\t\ttabindex=\"-1\"\n\t\t\t>\n\t\t\t\t\t<div class=\"wp-block-navigation__responsive-close\" tabindex=\"-1\">\n\t\t\t\t\t\t<div class=\"wp-block-navigation__responsive-dialog\" \n\t\t\t\tdata-wp-bind--aria-modal=\"state.ariaModal\"\n\t\t\t\tdata-wp-bind--aria-label=\"state.ariaLabel\"\n\t\t\t\tdata-wp-bind--role=\"state.roleAttribute\"\n\t\t\t>\n\t\t\t\t\t\t\t<button aria-label=\"Close menu\" class=\"wp-block-navigation__responsive-container-close\" \n\t\t\t\tdata-wp-on--click=\"actions.closeMenuOnClick\"\n\t\t\t><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" width=\"24\" height=\"24\" aria-hidden=\"true\" focusable=\"false\"><path d=\"m13.06 12 6.47-6.47-1.06-1.06L12 10.94 5.53 4.47 4.47 5.53 10.94 12l-6.47 6.47 1.06 1.06L12 13.06l6.47 6.47 1.06-1.06L13.06 12Z\"><\/path><\/svg><\/button>\n\t\t\t\t\t\t\t<div class=\"wp-block-navigation__responsive-container-content\" \n\t\t\t\tdata-wp-watch=\"callbacks.focusFirstElement\"\n\t\t\t id=\"modal-1-content\">\n\t\t\t\t\t\t\t\t<ul class=\"wp-block-navigation__container has-text-color has-contrast-color has-background has-base-background-color has-large-font-size is-responsive items-justified-left wp-block-navigation has-large-font-size\"><li class=\"has-large-font-size wp-block-navigation-item fontsize: 60 wp-block-navigation-link\"><a class=\"wp-block-navigation-item__content\"  href=\"https:\/\/cubmpd.ca\/cuagonline\/homepage\/\" target=\"_blank\"  ><span class=\"wp-block-navigation-item__label\">Homepage<\/span><\/a><\/li><li class=\"has-large-font-size wp-block-navigation-item wp-block-navigation-link\"><a class=\"wp-block-navigation-item__content\"  href=\"https:\/\/cubmpd.ca\/cuagonline\/about\/\" target=\"_blank\"  ><span class=\"wp-block-navigation-item__label\">About<\/span><\/a><\/li><\/ul>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/nav><\/div>\n<\/div>\n\n\n\n<h4 class=\"alignfull wp-block-heading has-contrast-color has-text-color\"><strong>2022 Fall<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-buttons alignfull is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-50 has-custom-font-size border-radius: 25px; background-color: black; is-style-outline has-large-font-size is-style-outline--2\"><a class=\"wp-block-button__link has-base-color has-vivid-red-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/kuula.co\/share\/collection\/79BNX?logo=1&amp;info=1&amp;fs=1&amp;vr=0&amp;sd=1&amp;thumbs=1\" style=\"border-radius:51px;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\" target=\"_blank\" rel=\"noreferrer noopener\">360 Virtual view<\/a><\/div>\n<\/div>\n\n\n\n<iframe loading=\"lazy\" width=\"100%\" height=\"640\" align=\"centre\" frameborder=\"0\" allow=\"xr-spatial-tracking; gyroscope; accelerometer\" allowfullscreen=\"\" scrolling=\"no\" src=\"https:\/\/kuula.co\/share\/collection\/79BNX?logo=0&amp;info=0&amp;fs=1&amp;vr=1&amp;sd=1&amp;initload=0&amp;thumbs=1\"><\/iframe>\n\n\n\n<h4 class=\"alignfull wp-block-heading has-contrast-color has-text-color\"><strong style=\"color: #CF2E2E;\">Spiritual Places<\/strong><br>Places\/spaces where people can connect to conceptual ideas (spirit, religion, land, storytelling etc.)<\/h4>\n\n\n\n<div class=\"wp-block-columns alignfull js-scroll fade-in is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_6-3.png?w=472\" alt=\"\" class=\"wp-image-38\" width=\"335\" height=\"229\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Jessie Oonark<\/strong><br><strong>Kiviuq and the Grizzly (1981)<\/strong><\/p>\n\n\n\n<p class=\"has-contrast-color has-text-color\">linocut and stencil on paper<br>Courtesy of Maree Brooks<\/p>\n\n\n\n<p>For Jessie Oonark (1906-1985), infusing Inuit storytelling in her art allowed her to depict her childhood and the Inuit customs and practices she experienced\u2026<a href=\"http:\/\/#ppsShowPopUp_100\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_7.png?w=394\" alt=\"\" class=\"wp-image-31\" width=\"279\" height=\"229\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Jessie Oonark<\/strong><br><strong>Helped by Spirits (1970)<\/strong><\/p>\n\n\n\n<p>Stonecut on paper<br>Courtesy of Priscilla Tyler and Maree Brooks<\/p>\n\n\n\n<p>Prominent Inuk artist Jessie Oonark\u2019s (1906-1985) <em>Helped by<\/em> S<em>pirits <\/em>depicts a spiritual scene of personal healing. Oonark was raised with her nomadic people&#8230;<a href=\"http:\/\/#ppsShowPopUp_103\" target=\"_blank\" rel=\"noreferrer noopener\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_8.png?w=338\" alt=\"\" class=\"wp-image-39\" width=\"273\" height=\"227\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Beau Dick<\/strong><br><strong>Sisiutl (1981)<\/strong><\/p>\n\n\n\n<p>Silkscreen on paper<br>Courtesy of George and Joanne MacDonald<\/p>\n\n\n\n<p>With his provocative and expansive use of form, Beau Dick (1955-2017) alludes to the vital role between the natural and supernatural worlds in the Kwakwaka\u2019wakw culture&#8230;<a href=\"http:\/\/#ppsShowPopUp_102\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull js-scroll fade-in is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_9.png?w=446\" alt=\"\" class=\"wp-image-40\" width=\"308\" height=\"250\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Beau Dick<\/strong><br><strong>Ta-Nis (1981)<\/strong><\/p>\n\n\n\n<p>Silkscreen on paper<br>Courtesy of George and Joanne MacDonald<\/p>\n\n\n\n<p>The Hamat\u2019sa is the most important dance of the Kwakwaka\u2019wakw Northwest Coast people. It revolves around the cannibal-supernatural being, Baxwbakwalanuksiwe\u2019&#8230;<a href=\"http:\/\/#ppsShowPopUp_104\" target=\"_blank\" rel=\"noreferrer noopener\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_10.png?w=417\" alt=\"\" class=\"wp-image-41\" width=\"298\" height=\"251\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Norval H. Morrisseau<\/strong><br><strong>Shaman Contemplates Life (Self-Portrait) (2003)<\/strong><\/p>\n\n\n\n<p>Oil on canvas<br>Courtesy of Sydney Banks<\/p>\n\n\n\n<p>Anishnaabe artist Norval Morrisseau (1932-2007) is best known for his use of bright colours, political themes, and spiritual imagery. <em>Shaman Contemplates Life<\/em> is a self-portrait that depicts&#8230;<a href=\"http:\/\/#ppsShowPopUp_105\" target=\"_blank\" rel=\"noreferrer noopener\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_11.png?w=302\" alt=\"\" class=\"wp-image-42\" width=\"163\" height=\"250\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Walter Joseph Phillips<\/strong><br><strong>Mary at the Lake (1920)<\/strong><\/p>\n\n\n\n<p>Colour woodcut on Japan paper<br>Courtesy of Jan Johnson<\/p>\n\n\n\n<p>Walter Joseph Phillips (1884-1963) was an English-born Canadian artist heavily influenced by Japanese colour woodcuts and the ornamental organic forms of Art Nouveau&#8230;<a href=\"http:\/\/#ppsShowPopUp_106\" target=\"_blank\" rel=\"noreferrer noopener\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull js-scroll fade-in is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_12.png?w=291\" alt=\"\" class=\"wp-image-43\" width=\"291\" height=\"234\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-left has-vivid-red-color has-text-color\"><strong>Robert Bourdeau<\/strong><br><strong>Ontario, 1980 (1979)<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-left\">Gelatin silver print on paper<br>Courtesy of the artist<\/p>\n\n\n\n<p>Self-taught photographer Robert Bourdeau (b. 1931) is known for his realism, demonstrated through his images of landscapes.Bourdeau\u2019s creative choices are&#8230;<a href=\"http:\/\/#ppsShowPopUp_107\" target=\"_blank\" rel=\"noreferrer noopener\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_13-edited.png\" alt=\"\" class=\"wp-image-137\" width=\"296\" height=\"237\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Carl Beam<\/strong><br><strong>Untitled (Madonna) (1995)<\/strong><\/p>\n\n\n\n<p>Photo emulsion transfer on paper<br>Courtesy of Dr. A. Studnibert<\/p>\n\n\n\n<p>In <em>Untitled (Madonna)<\/em>, Anishnaabe artist Carl Beam (1943-2005) emphasizes the relationship between Western and Indigenous peoples<em>. <\/em>Incorporating the use of mixed media&#8230;<a href=\"http:\/\/#ppsShowPopUp_108\" target=\"_blank\" rel=\"noreferrer noopener\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_14-edited.png\" alt=\"\" class=\"wp-image-136\" width=\"297\" height=\"239\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>George Arluk<\/strong><br><strong>The Diminishing Bear (1978)<\/strong><\/p>\n\n\n\n<p>Black stone<br>Courtesy of Priscilla Tyler and Maree Brooks<\/p>\n\n\n\n<p>Often depicting single figures grouped together, George Arluk (b. 1949) is known for his abstract compositions of spiritual figures and individuals. These sculptures often present realistic&#8230;<a href=\"http:\/\/#ppsShowPopUp_109\" target=\"_blank\" rel=\"noreferrer noopener\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"alignfull wp-block-heading\"><strong style=\"color: #CF2E2E;\">Familial Places<\/strong><br>The people who make places familiar, providing us with a sense of self, community, and home. Both chosen and biological families can provide this sense of belonging in different spaces. Playing with<strong> <\/strong>familial\/familiar.<\/h4>\n\n\n\n<div class=\"wp-block-columns alignfull js-scroll fade-in is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_0-edited.png\" alt=\"\" class=\"wp-image-143\" width=\"379\" height=\"213\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Geoffrey James<\/strong><br><strong>Boy Scout Fishing Derby, Kendal Lake (2005)<\/strong><\/p>\n\n\n\n<p>Gelatin silver print on paper<br>Courtesy of the artist<\/p>\n\n\n\n<p>Photographer Geoffrey James (b. 1961) is famed for his distinct work that investigates various Western social norms and institutions. Although <em>Boy Scout Fishing Derby, Kendal Lak<\/em>e&#8230;<a href=\"http:\/\/#ppsShowPopUp_110\" target=\"_blank\" rel=\"noreferrer noopener\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_15-edited.png\" alt=\"\" class=\"wp-image-144\" width=\"304\" height=\"245\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Helen Kavlak<\/strong><br><strong>Solitude (1975)<\/strong><\/p>\n\n\n\n<p>Stonecut on paper<br>Courtesy of R.D. Bell<\/p>\n\n\n\n<p>Helen Kalvak (1901-1984) was born in Ulukhaktok, Northwest Territories. From a young age, and with the help of her parents, Kalvak immersed herself in the oral traditions&#8230;<a href=\"http:\/\/#ppsShowPopUp_111\" target=\"_blank\" rel=\"noreferrer noopener\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_16.png?w=482\" alt=\"\" class=\"wp-image-47\" width=\"196\" height=\"250\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Pegi Nicol Macleod<\/strong><br><strong>School Garden (c. 1934)<\/strong><\/p>\n\n\n\n<p>Watercolour on paper<br>Courtesy of Jack and Frances Barwick<\/p>\n\n\n\n<p>Pegi Nicol Macleod (1904-1949) is recognized throughout the world for her wartime art which is defined by dynamic colours and distinct, curving paint strokes. Painted during the&#8230;<a href=\"http:\/\/#ppsShowPopUp_112\" target=\"_blank\" rel=\"noreferrer noopener\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull js-scroll fade-in is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/img_20221014_133151_edit_682270824564641-edited.jpg?w=1024\" alt=\"\" class=\"wp-image-160\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/img_20221014_133240-edited.jpg\" alt=\"\" class=\"wp-image-162\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/img_20221014_133251-edited.jpg\" alt=\"\" class=\"wp-image-163\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/img_20221014_133307-edited.jpg\" alt=\"\" class=\"wp-image-164\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/img_20221014_133315-edited.jpg\" alt=\"\" class=\"wp-image-165\"\/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-vivid-red-color has-text-color\"><strong>Frank Pimentel<\/strong><br><strong>Dunlands Restaurant Series (1987) &#8211; Message from Indigenous Woman, Pigeon and Found Friend, Norman Pouring Cream, Stella Performing Tarot Card Reading, Jack Sitting on Stools<\/strong><\/p>\n\n\n\n<p>Chromogenic print on paper<br>\u200b\u200bCourtesy of Sandra Jackson<\/p>\n\n\n\n<p>In his Dunlands Restaurant Series, Portuguese Canadian photographer Frank Pimentel (b. 1960) documents the mundane moments in an East End Toronto restaurant. What is it like to find your place in a city that is constantly evolving? In this series, Pimentel reveals how the restaurant may not only be a place of work but also a place of belonging&#8230;<a href=\"http:\/\/#ppsShowPopUp_116\" target=\"_blank\" rel=\"noreferrer noopener\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_22-edited.png\" alt=\"\" class=\"wp-image-183\" width=\"319\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>David Brown Milne<\/strong><br><strong>Main Street (1942)<\/strong><\/p>\n\n\n\n<p>Colour drypoint on paper<br>\u200b\u200bCourtesy of Jack and Francis Barwick<\/p>\n\n\n\n<p>Canadian artist David Browne Milne (1882-1953) studied art in New York before serving in the First World War. Described as a recluse and a fervent painter, he created over&#8230;<a href=\"http:\/\/#ppsShowPopUp_115\" target=\"_blank\" rel=\"noreferrer noopener\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-medium is-resized is-style-default\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_20221014_133443-225x300.jpg\" alt=\"\" class=\"wp-image-519\" width=\"169\" height=\"235\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Jessie Oonark<\/strong><br><strong>Tattooed Faces (1960)<\/strong><\/p>\n\n\n\n<p>Stonecut on paper<br>Courtesy of Andrew Armour<\/p>\n\n\n\n<p>Jessie Oonark (1906-1985) was an Utkusiksalingmiut Inuk artist who was largely concerned with recalling, representing, and exploring oral histories and other cultural&#8230;<a href=\"http:\/\/#ppsShowPopUp_117\" target=\"_blank\" rel=\"noreferrer noopener\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_24.png?w=209\" alt=\"\" class=\"wp-image-55\" width=\"328\" height=\"257\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Lynne Cohen<\/strong><br><strong>Living Room, Ypsilanti, Michigan, 1973 (1973)<\/strong><\/p>\n\n\n\n<p>Gelatin silver print on paper, mounted on board<br>Courtesy of Rosemary Speirs<\/p>\n\n\n\n<p><em>Living Room, Ypsilanti, Michigan, 1973<\/em> is a quintessential example of Lynne Cohen\u2019s photographic style. Born and raised in the American Midwest, Cohen (1944 -2014) started her&#8230;<a href=\"http:\/\/#ppsShowPopUp_118\" target=\"_blank\" rel=\"noreferrer noopener\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_25.png?w=179\" alt=\"\" class=\"wp-image-56\" width=\"341\" height=\"253\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Noboru Sawai<\/strong><br><strong>Funeral (1990)<\/strong><\/p>\n\n\n\n<p class=\"has-contrast-color has-text-color\">Woodcut and intaglio on paper<br>Courtesy of Gary Bomza<\/p>\n\n\n\n<p>Noboru Sawai (1931-2016) was born in Japan and moved to Canada as an adult. Much of his work combines the two cultures with which he identified, not only through imagery&#8230;<a href=\"http:\/\/#ppsShowPopUp_119\" target=\"_blank\" rel=\"noreferrer noopener\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_26.png?w=546\" alt=\"\" class=\"wp-image-57\" width=\"222\" height=\"256\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>George Arluk<\/strong><br><strong>Multiple Face Composition (1979)<\/strong><\/p>\n\n\n\n<p>Stone<br>Courtesy of Priscilla and Maree Brooks Tyler<\/p>\n\n\n\n<p>George Arluk (b. 1949) is a prominent Inuit artist of the Keewatin region (Northwest Territories and Northern Manitoba). Inspired by other Inuit artists like John Pangnark&#8230;<a href=\"http:\/\/#ppsShowPopUp_120\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_27.png?w=662\" alt=\"\" class=\"wp-image-58\" width=\"282\" height=\"257\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>John Pangnark<\/strong><br><strong>Mother and Child (1974)<\/strong><\/p>\n\n\n\n<p>Stone<br>Courtesy of Andrew Armour<\/p>\n\n\n\n<p><em>Mother and Child <\/em>is an example of Inuk sculptor John Pangnark\u2019s (1920-1980) highly individualized and abstract pieces. With the smooth edges reflecting the inherent silhouette of&#8230;<a href=\"http:\/\/#ppsShowPopUp_121\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"alignfull wp-block-heading\"><strong style=\"color: #CF2E2E;\">GOING PLACES<\/strong><br>Our bay\u2019s theme \u201cgoing places\u201d attempts to articulate the different pathways we may take to get to physical and conceptual places, and the different processes that bring us there through the chosen artworks.<\/h4>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_28.png?w=740\" alt=\"\" class=\"wp-image-59\" width=\"352\" height=\"254\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Noboru Sawai<\/strong><br><strong>The Honourable Curator (1974)<\/strong><\/p>\n\n\n\n<p>Woodcut and intaglio on paper<br>Courtesy of the artist<\/p>\n\n\n\n<p>Printmaker Noboru Sawai (1931-2016) was born in Japan and educated in Minnesota. He taught at the University of Calgary from 1971 to 1993. During this time, he opened &#8230;<a href=\"http:\/\/#ppsShowPopUp_122\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_29.png?w=544\" alt=\"\" class=\"wp-image-60\" width=\"304\" height=\"253\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Geoffrey James<\/strong><br><strong>Interior with Pinup, Malteria Adriatica, Marghera (2000)<\/strong><\/p>\n\n\n\n<p>Gelatin silver print on paper<br>Courtesy of the artist<\/p>\n\n\n\n<p>What comes to your mind when you think of Venice, Italy? Canadian photographer Geoffrey James (b. 1961) is known for his photographs of obscure or invisible&#8230;<a href=\"http:\/\/#ppsShowPopUp_123\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_30.png?w=568\" alt=\"\" class=\"wp-image-61\" width=\"306\" height=\"253\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Ibrahim Miranda Ramos<\/strong><br><strong>Ballena, Almeria (2007)<\/strong><\/p>\n\n\n\n<p>Silkscreen on paper<br>Courtesy of the artist<\/p>\n\n\n\n<p>Physical changes throughout cities are not privy to the residents who are familiar with a landscape; even a visitor can observe a city\u2019s ever changing shape. These changes are something that&#8230;<a href=\"http:\/\/#ppsShowPopUp_124\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_31.png?w=372\" alt=\"\" class=\"wp-image-62\" width=\"159\" height=\"242\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Clarence A. Gagnon<\/strong>|<br><strong>Luxembourg Gardens (1906)<\/strong><\/p>\n\n\n\n<p>Etching, aquatint and roulette on Japan paper<br>Courtesy of Margaret Hall<\/p>\n\n\n\n<p>Raised in rural Saint-Rose de Laval in Quebec, French Canadian artist Clarence A. Gagnon (1881-1942) traveled to Paris to train at the Acad\u00e9mie Julian in 1904. <em>Luxembourg Gardens<\/em>&#8230;<a href=\"http:\/\/#ppsShowPopUp_125\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_32.png?w=604\" alt=\"\" class=\"wp-image-63\" width=\"333\" height=\"240\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Carl Schaefer<\/strong><br><strong>View of Norwich (1940)<\/strong><br>Watercolour on paper<br>Courtesy of Jack and Frances Barwick<\/p>\n\n\n\n<p>In the early 1920s, Canadian painter Carl Schaefer (1903-1995) trained under Group of Seven members Arthur Lismer and J.E.H. MacDonald in Toronto. Later in 1940&#8230;<a href=\"http:\/\/#ppsShowPopUp_126\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_33.png?w=556\" alt=\"\" class=\"wp-image-64\" width=\"300\" height=\"241\"\/><\/figure>\n\n\n\n<p><strong>William Henry Bartlett<\/strong><br><strong>The Rideau Canal, Bytown (1840)<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\">Engraving in coloured ink on paper<br>Courtesy of David Berhnhardt<\/p>\n\n\n\n<p>William Henry Bartlett (1809-1854) was a skilled illustrator during the nineteenth century. Born in London, England, Bartlett made his career sketching the landscapes of different places&#8230;<a href=\"http:\/\/#ppsShowPopUp_127\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_34-edited.png\" alt=\"\" class=\"wp-image-201\" width=\"343\" height=\"257\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Helen Kalvak<\/strong><br><strong>Hungry Visitors (1985)<\/strong><\/p>\n\n\n\n<p>Stone cut on paper<br>Courtesy of Priscilla Tyler and Maree Brooks<\/p>\n\n\n\n<p>Inuk artist Helen Kalvak\u2019s (1901-1984) work is inspired by the daily lives and experiences of Inuit women. Her works highlight the culture and history of rich traditions and values&#8230;<a href=\"http:\/\/#ppsShowPopUp_128\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h4 class=\"wp-block-heading has-vivid-red-color has-text-color\"><strong>FINAL BAY<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cuagonline.files.wordpress.com\/2023\/01\/wps_doc_35.png?w=839\" alt=\"\" class=\"wp-image-66\" width=\"499\" height=\"358\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-center has-vivid-red-color has-text-color\"><strong>Pietro Antonio Martini<\/strong><br><strong>Coup d\u2019oeil exact de l\u2019arrangement des Peintures du Salon du Louvre, en 1785 (1785)<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Etching and engraving on laid paper<br>Courtesy of W. McAllister Johnson<\/p>\n\n\n\n<p>Pietro Antonio Martini (1738-1797) was born in Trecasali, Italy. Coup d\u2019oeil exact de l\u2019arrangement des Peintures du Salon du Louvre, en 1785 is a panoramic reproduction of the paintings in the Salon of the Louvre Museum in 1785. With his prioritization of accuracy, Martini gives us a glimpse into the windows of the world&#8230;<a href=\"http:\/\/#ppsShowPopUp_129\" data-type=\"page\" data-id=\"544\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons alignfull a:hover { background-color: white; color: #CF2E2E; } is-content-justification-right is-layout-flex wp-container-core-buttons-is-layout-d445cf74 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-fill\"><a class=\"wp-block-button__link has-base-color has-vivid-red-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/cubmpd.ca\/cuagonline\/2023-winter\/\" style=\"border-radius:20px\" target=\"_blank\" rel=\"noreferrer noopener\">Next exhibition: 2023 Winter<br>Drawing on Our History<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>2022 Fall Spiritual PlacesPlaces\/spaces where people can connect to conceptual ideas (spirit, religion, land, storytelling etc.) Jessie OonarkKiviuq and the Grizzly (1981) linocut and stencil on paperCourtesy of Maree Brooks For Jessie Oonark (1906-1985), infusing Inuit storytelling in her art allowed her to depict her childhood and the Inuit customs and practices she experienced\u2026Read More [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"blank","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"class_list":["post-11","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cubmpd.ca\/cuagonline\/wp-json\/wp\/v2\/pages\/11","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cubmpd.ca\/cuagonline\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cubmpd.ca\/cuagonline\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cubmpd.ca\/cuagonline\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cubmpd.ca\/cuagonline\/wp-json\/wp\/v2\/comments?post=11"}],"version-history":[{"count":51,"href":"https:\/\/cubmpd.ca\/cuagonline\/wp-json\/wp\/v2\/pages\/11\/revisions"}],"predecessor-version":[{"id":667,"href":"https:\/\/cubmpd.ca\/cuagonline\/wp-json\/wp\/v2\/pages\/11\/revisions\/667"}],"wp:attachment":[{"href":"https:\/\/cubmpd.ca\/cuagonline\/wp-json\/wp\/v2\/media?parent=11"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}