{"id":99,"date":"2023-03-12T18:44:00","date_gmt":"2023-03-12T18:44:00","guid":{"rendered":"https:\/\/cubmpd.ca\/cuagonline\/?page_id=99"},"modified":"2023-03-18T19:32:22","modified_gmt":"2023-03-18T19:32:22","slug":"2023-winter","status":"publish","type":"page","link":"https:\/\/cubmpd.ca\/cuagonline\/2023-winter\/","title":{"rendered":"2023 Winter"},"content":{"rendered":"\n<div class=\"wp-block-group alignfull is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group alignfull has-link-color has-small-font-size wp-elements-1e6e12774c8e698222bdeda1e649f1b0 is-nowrap is-layout-flex wp-container-core-group-is-layout-4fe2d27c wp-block-group-is-layout-flex\" style=\"padding-top:0;padding-right:var(--wp--preset--spacing--40);padding-left:var(--wp--preset--spacing--60)\"><div class=\"wp-block-site-logo\"><a href=\"https:\/\/cubmpd.ca\/cuagonline\/\" class=\"custom-logo-link\" rel=\"home\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"97\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/02\/logo.png\" class=\"custom-logo\" alt=\"CUAG Online\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/02\/logo.png 677w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/02\/logo-300x117.png 300w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a><\/div>\n\n<nav class=\"has-text-color has-contrast-color has-background has-base-background-color has-large-font-size is-responsive items-justified-left wp-block-navigation is-content-justification-left is-layout-flex wp-container-core-navigation-is-layout-fc4fd283 wp-block-navigation-is-layout-flex\" aria-label=\"Navigation 2\" \n\t\t data-wp-interactive=\"core\/navigation\" data-wp-context='{\"overlayOpenedBy\":{\"click\":false,\"hover\":false,\"focus\":false},\"type\":\"overlay\",\"roleAttribute\":\"\",\"ariaLabel\":\"Menu\"}'><button aria-haspopup=\"dialog\" aria-label=\"Open menu\" class=\"wp-block-navigation__responsive-container-open\" \n\t\t\t\tdata-wp-on--click=\"actions.openMenuOnClick\"\n\t\t\t\tdata-wp-on--keydown=\"actions.handleMenuKeydown\"\n\t\t\t><svg width=\"24\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M4 7.5h16v1.5H4z\"><\/path><path d=\"M4 15h16v1.5H4z\"><\/path><\/svg><\/button>\n\t\t\t\t<div class=\"wp-block-navigation__responsive-container\"  id=\"modal-1\" \n\t\t\t\tdata-wp-class--has-modal-open=\"state.isMenuOpen\"\n\t\t\t\tdata-wp-class--is-menu-open=\"state.isMenuOpen\"\n\t\t\t\tdata-wp-watch=\"callbacks.initMenu\"\n\t\t\t\tdata-wp-on--keydown=\"actions.handleMenuKeydown\"\n\t\t\t\tdata-wp-on--focusout=\"actions.handleMenuFocusout\"\n\t\t\t\ttabindex=\"-1\"\n\t\t\t>\n\t\t\t\t\t<div class=\"wp-block-navigation__responsive-close\" tabindex=\"-1\">\n\t\t\t\t\t\t<div class=\"wp-block-navigation__responsive-dialog\" \n\t\t\t\tdata-wp-bind--aria-modal=\"state.ariaModal\"\n\t\t\t\tdata-wp-bind--aria-label=\"state.ariaLabel\"\n\t\t\t\tdata-wp-bind--role=\"state.roleAttribute\"\n\t\t\t>\n\t\t\t\t\t\t\t<button aria-label=\"Close menu\" class=\"wp-block-navigation__responsive-container-close\" \n\t\t\t\tdata-wp-on--click=\"actions.closeMenuOnClick\"\n\t\t\t><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" width=\"24\" height=\"24\" aria-hidden=\"true\" focusable=\"false\"><path d=\"m13.06 12 6.47-6.47-1.06-1.06L12 10.94 5.53 4.47 4.47 5.53 10.94 12l-6.47 6.47 1.06 1.06L12 13.06l6.47 6.47 1.06-1.06L13.06 12Z\"><\/path><\/svg><\/button>\n\t\t\t\t\t\t\t<div class=\"wp-block-navigation__responsive-container-content\" \n\t\t\t\tdata-wp-watch=\"callbacks.focusFirstElement\"\n\t\t\t id=\"modal-1-content\">\n\t\t\t\t\t\t\t\t<ul class=\"wp-block-navigation__container has-text-color has-contrast-color has-background has-base-background-color has-large-font-size is-responsive items-justified-left wp-block-navigation has-large-font-size\"><li class=\"has-large-font-size wp-block-navigation-item fontsize: 60 wp-block-navigation-link\"><a class=\"wp-block-navigation-item__content\"  href=\"https:\/\/cubmpd.ca\/cuagonline\/homepage\/\" target=\"_blank\"  ><span class=\"wp-block-navigation-item__label\">Homepage<\/span><\/a><\/li><li class=\"has-large-font-size wp-block-navigation-item wp-block-navigation-link\"><a class=\"wp-block-navigation-item__content\"  href=\"https:\/\/cubmpd.ca\/cuagonline\/about\/\" target=\"_blank\"  ><span class=\"wp-block-navigation-item__label\">About<\/span><\/a><\/li><\/ul>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/nav><\/div>\n<\/div>\n\n\n\n<h4 class=\"alignfull wp-block-heading has-contrast-color has-text-color\"><strong>2023 Winter<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-image alignfull size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1005\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1664-1-1024x1005.jpeg\" alt=\"\" class=\"wp-image-575\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1664-1-1024x1005.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1664-1-300x294.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1664-1-768x754.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1664-1-1536x1508.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1664-1-2048x2010.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-buttons alignfull is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-50 has-custom-font-size border-radius: 25px; background-color: black; is-style-outline has-large-font-size is-style-outline--2\"><a class=\"wp-block-button__link has-base-color has-vivid-red-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/kuula.co\/share\/collection\/7Fkl8?logo=0&amp;info=0&amp;fs=1&amp;vr=1&amp;sd=1&amp;initload=0&amp;thumbs=1\" style=\"border-radius:51px;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\" target=\"_blank\" rel=\"noreferrer noopener\">360 Virtual view<\/a><\/div>\n<\/div>\n\n\n\n<iframe loading=\"lazy\" width=\"100%\" height=\"640\" frameborder=\"0\" allow=\"xr-spatial-tracking; gyroscope; accelerometer\" allowfullscreen scrolling=\"no\" src=\"https:\/\/kuula.co\/share\/collection\/7Fkl8?logo=0&#038;info=0&#038;fs=1&#038;vr=1&#038;sd=1&#038;initload=0&#038;thumbs=1\"><\/iframe>\n\n\n\n<figure class=\"wp-block-image alignfull size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1463\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1528-2-scaled.jpeg\" alt=\"\" class=\"wp-image-485\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1528-2-scaled.jpeg 2560w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1528-2-300x171.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1528-2-1024x585.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1528-2-768x439.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1528-2-1536x878.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1528-2-2048x1171.jpeg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center has-contrast-color has-text-color\"><strong style=\"color: #CF2E2E;\">Jay Odiick<\/strong><br>Invited by Danielle Printup<br>Anishin\u00e4bewaki \/ Anishinabe Aki, 2022<br>Courtesy of the artist<\/p>\n\n\n\n<div class=\"wp-block-group alignwide is-vertical is-layout-flex wp-container-core-group-is-layout-fe9cc265 wp-block-group-is-layout-flex\">\n<p>Danielle writes:<\/p>\n\n\n\n<p class=\"has-small-font-size\" style=\"margin-top:0;margin-right:0;margin-bottom:0;margin-left:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">The Algonquin artist, writer and television producer lay Odick combines his drawing and writing practices in this new work to express his deep relationship to Anishinabe Aki: the land. Odfick brings this connection to life through language, imagery and colour.<\/p>\n\n\n\n<p>Odjick&#8217;s monumental digital drawing depicts a serene landscape filled with large pine trees that fade into the distance, suffused by a foggy blanket of warm sunlight. Hovering above the trees is a light blue sky full of floating clouds that drift upwards.<\/p>\n\n\n\n<p>The calm, tranquil feel of Odick&#8217;s forestscape is countered by a short poem he wrote, offered both in English and Algonquin. His writing is potent and declarative, urging us to conceptualize land through embodied, sensory experiences. The emotional and physical weight of his words, printed in bold type, contrasts the peaceful ambience generated by the drawing. While his drawing invites viewers into the work, his poem speaks to them directly.<\/p>\n\n\n\n<p>Incorporating this poem in Algonquin animates the original language of this territory. Reproduced at an immense size, this work powerfully embodies odick&#8217;s profound tribute to the land that his people, the Algonquin Nation, have cared for since time immemorial. In creating this work, Odjick makes visible the connections that have always been and will continue to be, the foundation of Anishinabe Aki.<br><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1530-1024x768.jpeg\" alt=\"\" class=\"wp-image-307\" width=\"443\" height=\"332\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1530-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1530-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1530-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1530-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1530-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 443px) 100vw, 443px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Anirnik Oshuitoq (Kinngait, 1902-83)<br>Untitled (1976)<\/strong><\/p>\n\n\n\n<p>Felt-tip pen on paper<br>The Priscilla Tyler and Maree Brooks<br>Collection of Inuit Art<\/p>\n\n\n\n<p>This striking drawing is the gift of American collectors Priscilla Tyler and Maree Brooks. Marion (Mame) Jackson, a scholar and professor of Inuit art at Carleton, facilitated this donation to the University in 1992&#8230;<a href=\"http:\/\/#ppsShowPopUp_130\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1532-768x1024.jpeg\" alt=\"\" class=\"wp-image-309\" width=\"248\" height=\"331\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1532-768x1024.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1532-225x300.jpeg 225w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1532-1152x1536.jpeg 1152w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1532-1536x2048.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1532-scaled.jpeg 1920w\" sizes=\"auto, (max-width: 248px) 100vw, 248px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Parr (Kinngait, 1893-1969)<br>Untitled (1961)<\/strong><\/p>\n\n\n\n<p>Graphite on paper<br>Gift of Drew and Carolle Anne Armour, 2009<\/p>\n\n\n\n<p>Parr was in his late sixties when he moved to Kinngait in 1961 and began working as an artist. He drew from life and memory to make spare and remarkable images that mostly depict the hunt, hunters and the hunted&#8230;<a href=\"http:\/\/#ppsShowPopUp_131\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1534-768x1024.jpeg\" alt=\"\" class=\"wp-image-311\" width=\"257\" height=\"342\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1534-768x1024.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1534-225x300.jpeg 225w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1534-1152x1536.jpeg 1152w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1534-1536x2048.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1534-scaled.jpeg 1920w\" sizes=\"auto, (max-width: 257px) 100vw, 257px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Faye HeavyShield (b. 1953)<br>Kainai (Blood) Nation<br>Study for &#8220;Cradle&#8221; (1992)<\/strong><\/p>\n\n\n\n<p>Graphite on paper<br>Gift of Victoria Henry, 2002<\/p>\n\n\n\n<p>A prominent multidisciplinary artist based in Southern Alberta, Faye HeavyShield is a member of the Kainai (Blood) Nation, which is part of the Blackfoot Confederacy&#8230;<a href=\"http:\/\/#ppsShowPopUp_132\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1536-scaled-e1677872309825-1024x826.jpeg\" alt=\"\" class=\"wp-image-313\" width=\"419\" height=\"328\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Janet Kigusiuq (Qamani&#8217;tuaq, 1926-2005)<br>Untitled (c. 1985)<\/strong><\/p>\n\n\n\n<p>Graphite and coloured pencil on paper<br>Purchase, 1986<\/p>\n\n\n\n<p>The Austrian-born scholar and \u00e9migr\u00e9 George Swinton developed a passion for the work of Inuit artists on his inaugural journey to Inuit Nunangat in 1957. He taught the first course in Inuit art, at the University of Manitoba in 1971&#8230;<a href=\"http:\/\/#ppsShowPopUp_133\">Read More<\/a><\/p>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1539-scaled-e1677872918207-791x1024.jpeg\" alt=\"\" class=\"wp-image-316\" width=\"262\" height=\"328\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Kenneth Lochhead (Canadian, 1926-2006)<br>Gatineau Stream (1980)<\/strong><\/p>\n\n\n\n<p>Pastel on paper<br>Gift of Kenneth Lochhead, 1999<\/p>\n\n\n\n<p>Kenneth Lochhead gained renown while a member of the Regina Five, a group of abstract artists active through the 1950s. Lochhead&#8217;s interest shifted to landscape painting in the late 1970s and early 1980s&#8230;<a href=\"http:\/\/#ppsShowPopUp_133\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1541-1024x768.jpeg\" alt=\"\" class=\"wp-image-318\" width=\"457\" height=\"328\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Alex lanvier (b. 1935)<\/strong><br>Cold Lake First Nation<br><strong>Be Kind to Animals (1976)<\/strong><\/p>\n\n\n\n<p>Gouache on paper<br>Gift of Hans and B\u00e9la Adler<\/p>\n\n\n\n<p>Alex Janvier is a world-renowned Denesuline artist from Cold Lake First Nation in Treaty 6 territory. He was one of the founders of Professional Native Artists Inc&#8230;<a href=\"http:\/\/#ppsShowPopUp_135\">Read Mo<\/a>re<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1545-768x1024.jpeg\" alt=\"\" class=\"wp-image-320\" width=\"245\" height=\"328\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1545-768x1024.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1545-225x300.jpeg 225w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1545-1152x1536.jpeg 1152w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1545-1536x2048.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1545-scaled.jpeg 1920w\" sizes=\"auto, (max-width: 245px) 100vw, 245px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Emily Carr (Canadian, 1871-1945)<br>Glade and House (prior to 1945)<\/strong><\/p>\n\n\n\n<p>Oil on paper<br>Gift of Jack and Frances Barwick, 1985<\/p>\n\n\n\n<p>With its rhythmic brushstrokes and monumental trees, Glade and House demonstrates Emily Carr&#8217;s loose, expressive approach to painting on paper, in keeping with the large scale of the environment on British Columbia&#8217;s&#8230;<a href=\"http:\/\/#ppsShowPopUp_137\">Read More<\/a><\/p>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1547-1024x768.jpeg\" alt=\"\" class=\"wp-image-322\" width=\"438\" height=\"328\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1547-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1547-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1547-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1547-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1547-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 438px) 100vw, 438px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Hilda Woolnough (Canadian, 1934-2007)<br>Eight Ladies (1978)<\/strong><\/p>\n\n\n\n<p>Watercolour and graphite on paper<br>Gift of Gary Bomza, 1998<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\"><em>There is NO textual explanation for this artwork<\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1549-scaled-e1678051334878-466x1024.jpeg\" alt=\"\" class=\"wp-image-324\" width=\"149\" height=\"328\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1549-scaled-e1678051334878-466x1024.jpeg 466w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1549-scaled-e1678051334878-136x300.jpeg 136w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1549-scaled-e1678051334878-768x1689.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1549-scaled-e1678051334878-698x1536.jpeg 698w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1549-scaled-e1678051334878-931x2048.jpeg 931w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1549-scaled-e1678051334878.jpeg 1094w\" sizes=\"auto, (max-width: 149px) 100vw, 149px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Marigold Santos<br>woven talisman (cold dusk), 2014<\/strong><\/p>\n\n\n\n<p>Charcoal and pastel on Japanese paper<br>Courtesy of the artist and Norberg Hall<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\"><em>There is NO textual explanation<\/em> for this artwork<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull are-vertically-aligned-top is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1551-scaled-e1678133109846-579x1024.jpeg\" alt=\"\" class=\"wp-image-326\" width=\"159\" height=\"328\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Marigold Santos<br>woven talisman (magic hour), 2014<\/strong><\/p>\n\n\n\n<p>Charcoal and pastel on Japanese paper<br>Courtesy of the artist and Norberg Hall<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\"><em>There is NO textual explanation<\/em> for this artwork<\/p>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1553-768x1024.jpeg\" alt=\"\" class=\"wp-image-328\" width=\"212\" height=\"328\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Marigold Santos<br>shroud (buntis na erotika) I, 2021<\/strong><\/p>\n\n\n\n<p>Ink on paper<br>Courtesy of the artist and Norberg Hall<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\"><em>There is NO textual explanation<\/em> for this artwork<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1554-768x1024.jpeg\" alt=\"\" class=\"wp-image-329\" width=\"214\" height=\"328\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Marigold Santos<br>shroud (arid interior I), 2018<\/strong><\/p>\n\n\n\n<p>Ink on paper<br>Private collection, courtesy of Norberg Hall<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\"><em>There is NO textual explanation<\/em> for this artwork<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1556-768x1024.jpeg\" alt=\"\" class=\"wp-image-331\" width=\"246\" height=\"328\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1556-768x1024.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1556-225x300.jpeg 225w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1556-1152x1536.jpeg 1152w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1556-1536x2048.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1556-scaled.jpeg 1920w\" sizes=\"auto, (max-width: 246px) 100vw, 246px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Marigold Santos<br>shroud envisioning (glance in green), 2022<\/strong><\/p>\n\n\n\n<p>Acrylic, pigment and black gesso on canvas<br>Private collection, courtesy of Norberg Hall<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\">There is no textual explanation for this artwork<\/p>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-2 is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"333\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1558-1024x768.jpeg\" alt=\"\" class=\"wp-image-333\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1558-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1558-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1558-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1558-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1558-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"334\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1560-1024x768.jpeg\" alt=\"\" class=\"wp-image-334\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1560-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1560-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1560-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1560-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1560-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1920\" data-id=\"335\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1561-scaled.jpeg\" alt=\"\" class=\"wp-image-335\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1561-scaled.jpeg 2560w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1561-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1561-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1561-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1561-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1561-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"336\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1562-1024x768.jpeg\" alt=\"\" class=\"wp-image-336\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1562-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1562-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1562-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1562-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1562-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-vivid-red-color has-text-color\"><strong>Marigold Santos<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\">top row from left:<br><strong>Ink Gathering (5), 2021<br>Ink Gathering (7), 2021<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\">bottom row, from left:<br><strong>Ink Gathering (6), 2021<br>Ink Gathering (8), 2021<\/strong><\/p>\n\n\n\n<p>Ink on paper<br>On loan from the TD Bank Corporate Art Collection<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image alignfull size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"968\" height=\"1024\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1566-1-968x1024.jpeg\" alt=\"\" class=\"wp-image-537\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1566-1-968x1024.jpeg 968w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1566-1-284x300.jpeg 284w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1566-1-768x813.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1566-1-1452x1536.jpeg 1452w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1566-1-1935x2048.jpeg 1935w\" sizes=\"auto, (max-width: 968px) 100vw, 968px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center\"><strong style=\"color: #CF2E2E;\">Marigold Santos<\/strong><br>Invited by Alice Ming Wai Jim<\/p>\n\n\n\n<div class=\"wp-block-group alignwide is-vertical is-content-justification-left is-layout-flex wp-container-core-group-is-layout-dd225191 wp-block-group-is-layout-flex\">\n<p>Alice writes:<\/p>\n\n\n\n<p>Marigolds thrive in the arid climates of Marigold Santos&#8217;s desert<\/p>\n\n\n\n<p>her studio depicted in the ink drawing shroud (arid interior 1). The scene also affords us a glimpse of the artist&#8217;s take on the asuang (aswang), a traditionally terrifying shapeshifting creature of Filipino folklore.<\/p>\n\n\n\n<p>Multiple configurations of this powerful, amorphous being populate Santos&#8217;s drawings and ceramics. Her reimagined aswang figures appear in numerous poses and positions &#8211; their shrouds at times made of thick dark masses, mystical woven textiles or braided voluminous hair, or exchanged for large-brimmed veiled hats of different styles.<\/p>\n\n\n\n<p>The asuang mythology arose from the Babaylan &#8211; pillars of society as shamans and healers in pre-colonial Philippines &#8211; whose meaning and purpose were inverted by the Spanish colonizers. Reconfigured again, Santos&#8217;s asuang figure is hybrid in state and status, negotiating strata and longing, becoming land; these are not uncommon preoccupations today, during eras of migration and diaspora.<\/p>\n\n\n\n<p>The blemishes or ink spots, or perhaps striae or scars, all over their bodies are more than skin deep. They tell stories, the narratives that make a life legible to oneself and to others. A form of permanent body adornment, tattooing was a prevalent cultural practice passed down in all ethnic groups of the Philippine Islands before they were colonized in the sixteenth century.<\/p>\n\n\n\n<p>Super enlarged tattoo motifs of the artist&#8217;s design monumentalize this living art form as a cutaneous archive of ancestral knowledge that Filipinos are reviving today as a vibrant, decolonial practice.<\/p>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"342\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1568-1024x768.jpeg\" alt=\"\" class=\"wp-image-342\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1568-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1568-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1568-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1568-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1568-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"341\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1567-1024x768.jpeg\" alt=\"\" class=\"wp-image-341\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1567-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1567-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1567-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1567-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1567-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"343\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1569-1024x768.jpeg\" alt=\"\" class=\"wp-image-343\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1569-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1569-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1569-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1569-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1569-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<div class=\"wp-block-group alignwide is-vertical is-content-justification-left is-layout-flex wp-container-core-group-is-layout-dd225191 wp-block-group-is-layout-flex\">\n<p class=\"has-vivid-red-color has-text-color\"><strong>Marigold Santos<\/strong><br>shroud (melting, kneeling) (2018)<br>shroud arm covering (2018)<br>memory feels 2 (2018)<\/p>\n\n\n\n<p>Clay, glazes and 22k gold<br>Courtesy of the artist and Patel Brown<\/p>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1571-1024x768.jpeg\" alt=\"\" class=\"wp-image-345\" width=\"439\" height=\"328\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1571-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1571-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1571-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1571-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1571-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 439px) 100vw, 439px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Marigold Santos<br>floral skin shroud 1 (2018)<\/strong><\/p>\n\n\n\n<p>Clay and glazes<br>Courtesy of the artist and Patel Brown<\/p>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1573-1024x768.jpeg\" alt=\"\" class=\"wp-image-347\" width=\"439\" height=\"328\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1573-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1573-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1573-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1573-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1573-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 439px) 100vw, 439px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Marigold Santos<br>memory feel 1 (2018)<\/strong><\/p>\n\n\n\n<p>Clay, glazes and 22k gold<br>Courtesy of the artist and Patel Brown<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-3 wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1920\" data-id=\"349\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1575-scaled.jpeg\" alt=\"\" class=\"wp-image-349\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1575-scaled.jpeg 2560w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1575-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1575-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1575-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1575-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1575-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><figcaption class=\"wp-element-caption\">front<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1920\" data-id=\"350\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1576-scaled.jpeg\" alt=\"\" class=\"wp-image-350\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1576-scaled.jpeg 2560w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1576-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1576-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1576-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1576-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1576-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><figcaption class=\"wp-element-caption\">top<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1920\" data-id=\"351\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1577-scaled.jpeg\" alt=\"\" class=\"wp-image-351\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1577-scaled.jpeg 2560w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1577-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1577-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1577-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1577-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1577-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><figcaption class=\"wp-element-caption\">back<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Marigold Santos<br>shroud asuang bridging (2019)<\/strong><\/p>\n\n\n\n<p>Clay and glazes<br>Courtesy of the artist and Patel Brown<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1581-scaled-e1678221087834-747x1024.jpeg\" alt=\"\" class=\"wp-image-353\" width=\"239\" height=\"328\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1581-scaled-e1678221087834-747x1024.jpeg 747w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1581-scaled-e1678221087834-219x300.jpeg 219w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1581-scaled-e1678221087834-768x1053.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1581-scaled-e1678221087834.jpeg 896w\" sizes=\"auto, (max-width: 239px) 100vw, 239px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Robert (Scottie) Wilson (Canadian, 1890-1972)<br>Vision of Mrs. Barwick in Scottie Jewelry (prior to 1972)<\/strong><\/p>\n\n\n\n<p>Ink and coloured pencil on paper<br>Gift of Jack and Frances Barwick, 1985<\/p>\n\n\n\n<p>The Scottish-born Louis Freeman (a.k.a. Robert &#8220;Scottie&#8221; Wilson) arrived in Toronto in the early 1930s, where he owned a junk shop. His artistic career was launched by his felicitous find of a gold pen, with which he started drawing&#8230;<a href=\"http:\/\/#ppsShowPopUp_138\">Read More<\/a><\/p>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1584-scaled-e1678221338560-736x1024.jpeg\" alt=\"\" class=\"wp-image-355\" width=\"235\" height=\"328\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1584-scaled-e1678221338560-736x1024.jpeg 736w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1584-scaled-e1678221338560-216x300.jpeg 216w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1584-scaled-e1678221338560-768x1068.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1584-scaled-e1678221338560.jpeg 915w\" sizes=\"auto, (max-width: 235px) 100vw, 235px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Frederick H. Varley (Canadian, 1881-1969)<br>Frances E. Barwick (1952)<\/strong><\/p>\n\n\n\n<p>Black chalk on paper<br>Gift of Jack and Frances Barwick, 1985<\/p>\n\n\n\n<p>Frederick Varley, of Group of Seven fame, moved to Toronto in 1944. His art dealer in the city was Douglas Duncan, brother of Frances Barwick and proprietor of the innovative Picture Loan Society. Barwick undoubtedly met Varley through&#8230;<a href=\"http:\/\/#ppsShowPopUp_139\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized is-style-default\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1586-scaled-e1678467404706-1024x725.jpeg\" alt=\"\" class=\"wp-image-357\" width=\"464\" height=\"328\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1586-scaled-e1678467404706-1024x725.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1586-scaled-e1678467404706-300x212.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1586-scaled-e1678467404706-768x543.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1586-scaled-e1678467404706-1536x1087.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1586-scaled-e1678467404706.jpeg 1772w\" sizes=\"auto, (max-width: 464px) 100vw, 464px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Rita Letendre (1928-2021)<br>Abenaki \/ Ou\u00e9b\u00e9coise<\/strong><br>Aujourd&#8217;hui l&#8217;\u00e9cho de l&#8217;orage r\u00e9sonne (1982)<\/p>\n\n\n\n<p>Pastel on paper<br>Gift of Rita Letendre, 1998<\/p>\n\n\n\n<p>Winner of a Governor General&#8217;s Award in Visual and Media Arts in 2010, Rita Letendre began her exploration of abstraction in the 1950s working with Montreal&#8217;s Automatistes&#8230;<a href=\"http:\/\/#ppsShowPopUp_140\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1588-scaled-e1678468490714-750x1024.jpeg\" alt=\"\" class=\"wp-image-359\" width=\"241\" height=\"328\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1588-scaled-e1678468490714-750x1024.jpeg 750w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1588-scaled-e1678468490714-220x300.jpeg 220w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1588-scaled-e1678468490714-768x1048.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1588-scaled-e1678468490714-1125x1536.jpeg 1125w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1588-scaled-e1678468490714.jpeg 1228w\" sizes=\"auto, (max-width: 241px) 100vw, 241px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Jessie Oonark (Qamani&#8217;tuaq, 1906-85)<br>Untitled (Two Totems) (1976)<\/strong><\/p>\n\n\n\n<p>Crayon and coloured pencil on paper<br>The Priscilla Tvler and Maree Brooks<br>Collection of Inuit Art<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\">There is no textual explanation for this artwork<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1597-scaled-e1678468831997-1024x825.jpeg\" alt=\"\" class=\"wp-image-368\" width=\"408\" height=\"328\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1597-scaled-e1678468831997-1024x825.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1597-scaled-e1678468831997-300x242.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1597-scaled-e1678468831997-768x619.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1597-scaled-e1678468831997.jpeg 1516w\" sizes=\"auto, (max-width: 408px) 100vw, 408px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Lucy Qinnuayuak (Kinngait, 1915-82)<br>Birds Carry the Sun to Birdland (1977)<\/strong><\/p>\n\n\n\n<p>Crayon and felt-tip pen on paper<br>The Priscilla Tyler and Maree Brooks<br>Collection of Inuit Art<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\">There is no textual explanation for this work<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1599-scaled-e1678468942566-960x1024.jpeg\" alt=\"\" class=\"wp-image-370\" width=\"307\" height=\"328\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1599-scaled-e1678468942566-960x1024.jpeg 960w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1599-scaled-e1678468942566-281x300.jpeg 281w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1599-scaled-e1678468942566-768x819.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1599-scaled-e1678468942566.jpeg 1241w\" sizes=\"auto, (max-width: 307px) 100vw, 307px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Florence Vale (Canadian, 1909-2003)<br>Nude and Kite (1973)<\/strong><\/p>\n\n\n\n<p>Mixed media on paper<br>Gift of the artist, 1994<\/p>\n\n\n\n<p>Born into a family of musicians, Florence Vale began her creative journey on the piano before turning to the visual arts in the 1940s. Vale&#8217;s early experiments included oil and watercolour painting as well as rug hooking&#8230;<a href=\"http:\/\/#ppsShowPopUp_141\">Read More<\/a><\/p>\n\n\n\n<p><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1590-scaled-e1678468665753-1024x827.jpeg\" alt=\"\" class=\"wp-image-361\" width=\"529\" height=\"426\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1590-scaled-e1678468665753-1024x827.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1590-scaled-e1678468665753-300x242.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1590-scaled-e1678468665753-768x620.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1590-scaled-e1678468665753-1536x1240.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1590-scaled-e1678468665753.jpeg 1561w\" sizes=\"auto, (max-width: 529px) 100vw, 529px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1591-scaled-e1678469061634.jpeg\" alt=\"\" class=\"wp-image-362\" width=\"338\" height=\"426\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1591-scaled-e1678469061634.jpeg 1171w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1591-scaled-e1678469061634-238x300.jpeg 238w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1591-scaled-e1678469061634-811x1024.jpeg 811w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1591-scaled-e1678469061634-768x969.jpeg 768w\" sizes=\"auto, (max-width: 338px) 100vw, 338px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1592-scaled-e1678469082911-1024x801.jpeg\" alt=\"\" class=\"wp-image-363\" width=\"546\" height=\"426\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1592-scaled-e1678469082911-1024x801.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1592-scaled-e1678469082911-300x235.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1592-scaled-e1678469082911-768x601.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1592-scaled-e1678469082911.jpeg 1472w\" sizes=\"auto, (max-width: 546px) 100vw, 546px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1594-scaled-e1678469118579-1024x811.jpeg\" alt=\"\" class=\"wp-image-365\" width=\"529\" height=\"419\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1594-scaled-e1678469118579-1024x811.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1594-scaled-e1678469118579-300x238.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1594-scaled-e1678469118579-768x608.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1594-scaled-e1678469118579.jpeg 1478w\" sizes=\"auto, (max-width: 529px) 100vw, 529px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1593-scaled-e1678469096345-807x1024.jpeg\" alt=\"\" class=\"wp-image-364\" width=\"331\" height=\"419\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1593-scaled-e1678469096345-807x1024.jpeg 807w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1593-scaled-e1678469096345-236x300.jpeg 236w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1593-scaled-e1678469096345-768x975.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1593-scaled-e1678469096345.jpeg 1190w\" sizes=\"auto, (max-width: 331px) 100vw, 331px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1595-scaled-e1678469133352-1024x821.jpeg\" alt=\"\" class=\"wp-image-366\" width=\"524\" height=\"419\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1595-scaled-e1678469133352-1024x821.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1595-scaled-e1678469133352-300x241.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1595-scaled-e1678469133352-768x616.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1595-scaled-e1678469133352.jpeg 1420w\" sizes=\"auto, (max-width: 524px) 100vw, 524px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center\"><strong style=\"color: #CF2E2E;\">Gayle Uyagagi Kabloona<\/strong><br>Invited by Sandra Dyck<\/p>\n\n\n\n<p class=\"has-text-align-center\">You should be a part of us, 2023<br>Ink on paper<br>Courtesy of the artist<\/p>\n\n\n\n<div class=\"wp-block-group alignwide is-vertical is-layout-flex wp-container-core-group-is-layout-fe9cc265 wp-block-group-is-layout-flex\">\n<p>Sandra writes:<\/p>\n\n\n\n<p>The groundbreaking American writer Audre Lorde famously described herself as &#8220;Black, lesbian, mother, warrior, poet.&#8221; Lorde reiected external definitions of her identity that singled out, or marginalized, any one of these categories. Her poetry, she said, &#8220;comes from the intersection of me and my worlds!&#8221;<\/p>\n\n\n\n<p>These questions of the part and the whole, of identity and belonging, are central to the work that Gayle Uyagagi Kabloona made for Drawing on Our History. Born in Qamani&#8217;tuaq &#8211; or Baker, as she calls it &#8211; to an Inuk father and a white mother, Kabloona has long lived away from the community. All her life, as she writes on these drawings, she has been asked, &#8220;What are you?&#8221;<br>&#8220;Where do you belong?&#8221;<\/p>\n\n\n\n<p>Kabloona belongs to making &#8211; to drawing, sewing, printmaking, knitting and building clay pots by hand. She belongs to the objects depicted in these drawings &#8211; sharp ulus with handles of wood or antler; a stone kudlik; a beaded sealskin marnguti that holds kudlik wicks; spherical ornaments made from ptarmigan gullets called puvviat &#8211; and to the creative acts that give rise to them. She belongs to her family tree, whose branches reach west to California and north to Inuit Nunangat.<\/p>\n\n\n\n<p>Kabloona also belongs to the places she&#8217;s made home &#8211; Baker, Iqaluit, Ottawa. She belongs to the old stories she heard from her dad when she was a child. She belongs to the extraordinary legacy of visual culture inherited from Qamani&#8217;tuaq artists including Victoria Mamnguqsualuk (her grandmother), Jessie Oonark (her great-grandmother) and Luke Anguhadluq. Kabloona&#8217;s work comes from her intersection with all these worlds, and many more.<\/p>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"779\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1601-1-1024x779.jpeg\" alt=\"\" class=\"wp-image-551\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1601-1-1024x779.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1601-1-300x228.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1601-1-768x585.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1601-1-1536x1169.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1601-1-2048x1559.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1602-edited-1024x768.jpeg\" alt=\"\" class=\"wp-image-553\" width=\"448\" height=\"336\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1602-edited-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1602-edited-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1602-edited-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1602-edited-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1602-edited-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center has-vivid-red-color has-text-color\"><strong>Jane Martin (Canadian, b. 1943)<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center has-vivid-red-color has-text-color\"><strong>Transfiguration 2 (1986)<\/strong><\/p>\n\n\n\n<p>Prismacolor on paper<br>Gift of Victoria Henry, 2000<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center has-vivid-red-color has-text-color\"><strong>Three Figures (1983)<\/strong><\/p>\n\n\n\n<p>Prismacolor on paper<br>Gift of Michel Christensen, 1994<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-left\">These lane Martin drawings are emblematic of a new thread in the artist&#8217;s work, which emerged in the 1980s. Art historian Christine Conley writes of this period:<br><em>     In the beginning there was drawing.. And the drawing began in 1983 at Martin&#8217;s cottage on Donaldson Lake, where sultry weather and the artist&#8217;s ongoing interest in the sensate body conspired with her first venture into Prismacolor, to produce a series of delicately rendered studies of the female body.<\/em><br><a href=\"http:\/\/#ppsShowPopUp_142\">Read More<\/a><\/p>\n\n\n\n<p class=\"has-text-align-left\"><br><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1604-scaled-e1678478976726-629x1024.jpeg\" alt=\"\" class=\"wp-image-375\" width=\"281\" height=\"457\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1604-scaled-e1678478976726-629x1024.jpeg 629w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1604-scaled-e1678478976726-184x300.jpeg 184w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1604-scaled-e1678478976726-768x1250.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1604-scaled-e1678478976726.jpeg 928w\" sizes=\"auto, (max-width: 281px) 100vw, 281px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Ron Martin (Canadian, b. 1943)<br>Left Hand, Index Finger (1972)<\/strong><\/p>\n\n\n\n<p>Red ink on paper<br>Gift of Catherine Morrissey, 1995<\/p>\n\n\n\n<p>In his 1970s paintings, Ron Martin set rigid parameters: a consistent canvas size, a limited amount of paint, one colour, uninterrupted working sessions and repetition via series&#8230;<a href=\"http:\/\/#ppsShowPopUp_143\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1606-scaled-e1678480060783-771x1024.jpeg\" alt=\"\" class=\"wp-image-377\" width=\"247\" height=\"328\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1606-scaled-e1678480060783-771x1024.jpeg 771w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1606-scaled-e1678480060783-226x300.jpeg 226w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1606-scaled-e1678480060783-768x1019.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1606-scaled-e1678480060783-1157x1536.jpeg 1157w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1606-scaled-e1678480060783.jpeg 1292w\" sizes=\"auto, (max-width: 247px) 100vw, 247px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Chander Chopra (Canadian, b. 1944)<br>Untitled (1989)<\/strong><\/p>\n\n\n\n<p>Mixed media on paper<br>Gift of Pierre Luc St-Laurent, 2003<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\">There is no textual explanation for this artwork<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1608-scaled-e1678480236668-780x1024.jpeg\" alt=\"\" class=\"wp-image-379\" width=\"250\" height=\"328\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1608-scaled-e1678480236668-780x1024.jpeg 780w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1608-scaled-e1678480236668-229x300.jpeg 229w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1608-scaled-e1678480236668-768x1008.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1608-scaled-e1678480236668.jpeg 1024w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Betty Goodwin (Canadian, 1923-2008)<br>Untitled (1989)<\/strong><\/p>\n\n\n\n<p>Graphite, charcoal and ink on Mylar <br>Gift of Anne Thompson, 2008<\/p>\n\n\n\n<p>Largely self-taught, the Montreal-born artist Betty Goodwin is internationally acclaimed for her distinctly emotive and corporeal drawing style. Her work has been widely exhibited, including representing Canada at the 1989 S\u00e3o Paulo&#8230;<a href=\"http:\/\/#ppsShowPopUp_144\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1610-scaled-e1678480363589-1024x671.jpeg\" alt=\"\" class=\"wp-image-381\" width=\"499\" height=\"328\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1610-scaled-e1678480363589-1024x671.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1610-scaled-e1678480363589-300x197.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1610-scaled-e1678480363589-768x504.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1610-scaled-e1678480363589-1536x1007.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1610-scaled-e1678480363589.jpeg 1766w\" sizes=\"auto, (max-width: 499px) 100vw, 499px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Takao Tanabe (Canadian, b. 1926)<br>Banff(1953)<\/strong><\/p>\n\n\n\n<p>Watercolour on paper<br>Gift of Arthur Drache, 2010<\/p>\n\n\n\n<p>This dark, yet striking, watercolour by Takao Tanabe could be interpreted in many ways: as a prairie landscape, as a foreshadowing of his exploration with Japanese calligraphy and \/ or as an allegory for the time that he and his family&#8230;<a href=\"http:\/\/#ppsShowPopUp_145\">Read More<\/a><\/p>\n\n\n\n<p><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1612-scaled-e1678480595321-1024x740.jpeg\" alt=\"\" class=\"wp-image-383\" width=\"455\" height=\"328\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1612-scaled-e1678480595321-1024x740.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1612-scaled-e1678480595321-300x217.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1612-scaled-e1678480595321-768x555.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1612-scaled-e1678480595321.jpeg 1523w\" sizes=\"auto, (max-width: 455px) 100vw, 455px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Kazuo Nakamura (Canadian, 1926-2002)<br>Summer Landscape (1954)<\/strong><\/p>\n\n\n\n<p>Watercolour on paper<br>Gift of Glenn and Barbara Mclnnes, 1994<\/p>\n\n\n\n<p>A founding member of the 1950s Toronto collective Painters Eleven, Kazuo Nakamura created artworks inspired by the New York abstract expressionist movement, as well as more figurative works. Nakamura viewed abstraction as a means&#8230;<a href=\"http:\/\/#ppsShowPopUp_146\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1615-scaled-e1678481126997-1024x674.jpeg\" alt=\"\" class=\"wp-image-385\" width=\"500\" height=\"328\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1615-scaled-e1678481126997-1024x674.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1615-scaled-e1678481126997-300x198.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1615-scaled-e1678481126997-768x506.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1615-scaled-e1678481126997-1536x1011.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1615-scaled-e1678481126997.jpeg 1555w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>John Ensor (Canadian, 1905-95)<br>Floating Docks, Normandy Invasion (1944)<\/strong><\/p>\n\n\n\n<p>Watercolour on paper<br>Gift of Robert Armstrong in memory of Francine Parisien (1939-1985), 1994<\/p>\n\n\n\n<p>John Ensor studied mural painting in England before immigrating to British Columbia in 1939. Working in watercolour in a loosely rendered, emotive style, he attempted to document. <a href=\"http:\/\/#ppsShowPopUp_147\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1617-scaled-e1678482447582.jpeg\" alt=\"\" class=\"wp-image-387\" width=\"492\" height=\"328\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1617-scaled-e1678482447582.jpeg 1696w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1617-scaled-e1678482447582-300x200.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1617-scaled-e1678482447582-1024x683.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1617-scaled-e1678482447582-768x513.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1617-scaled-e1678482447582-1536x1025.jpeg 1536w\" sizes=\"auto, (max-width: 492px) 100vw, 492px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>David Milne (Canadian, 1882-1953)<br>Points and Islands No. 2 (1950)<\/strong><\/p>\n\n\n\n<p>Watercolour on paper<br>Gift of the Douglas M. Duncan Collection, 1970<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\">There is no textual explanation for this artwork<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1619-scaled-e1678482729588-1024x721.jpeg\" alt=\"\" class=\"wp-image-389\" width=\"464\" height=\"326\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1619-scaled-e1678482729588-1024x721.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1619-scaled-e1678482729588-300x211.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1619-scaled-e1678482729588-768x541.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1619-scaled-e1678482729588.jpeg 1299w\" sizes=\"auto, (max-width: 464px) 100vw, 464px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Norval Morrisseau (1931-2007)<br>Bingwi Neyaashi Anishinaabek (Sand Point First Nation)<\/strong><\/p>\n\n\n\n<p>The Mihshipashoo (1978)<br>Graphite on paper Gift of Robert Houle, 2001<\/p>\n\n\n\n<p>This drawing is a vestige of a famous tea party hosted by Anishinaabe artist Norval Morrisseau at his home in Beardmore, Ontario, in the summer of 1978. Jack Pollock, Morrisseau&#8217;s Toronto-based art dealer&#8230;<a href=\"http:\/\/#ppsShowPopUp_148\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1621-scaled-e1678483183778-784x1024.jpeg\" alt=\"\" class=\"wp-image-391\" width=\"250\" height=\"326\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1621-scaled-e1678483183778-784x1024.jpeg 784w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1621-scaled-e1678483183778-230x300.jpeg 230w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1621-scaled-e1678483183778-768x1003.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1621-scaled-e1678483183778.jpeg 921w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1622-scaled-e1678483195294-705x1024.jpeg\" alt=\"\" class=\"wp-image-392\" width=\"226\" height=\"326\"\/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center has-vivid-red-color has-text-color\"><strong>Ron Giii (Canadian, b. 1944)<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-vivid-red-color has-text-color\"><strong>Untitled, Wipe Works No. 29 (prior to 1995)<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-vivid-red-color has-text-color\"><strong>Untitled, Wipe Works No. 19 (prior to 1995)<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center\">Ink and graphite on paper<br>Gift of Jeffrey Lipson, 1995<\/p>\n\n\n\n<p>Originally a performance artist and theatre director in New York before switching his focus to drawing in the mid-1980s,Ron Gill views his artistic creation as a sort of visual theatre&#8230;<a href=\"http:\/\/#ppsShowPopUp_149\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1624-scaled-e1678483520237-1024x786.jpeg\" alt=\"\" class=\"wp-image-394\" width=\"425\" height=\"327\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1624-scaled-e1678483520237-1024x786.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1624-scaled-e1678483520237-300x230.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1624-scaled-e1678483520237-768x590.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1624-scaled-e1678483520237-1536x1179.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1624-scaled-e1678483520237-2048x1572.jpeg 2048w\" sizes=\"auto, (max-width: 425px) 100vw, 425px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Kananginak Pootoogook (Kinngait, 1935-2010)<br>Man with Snowmobile (2006)<\/strong><\/p>\n\n\n\n<p>Coloured pencil and ink on paper Purchase, 2012<\/p>\n\n\n\n<p>The Inuktitut syllabics read, in English: When the snowmobile first came up north, everyone thought they were mighty machines compared to a dog team. In this case it isn&#8217;t, the dog team is more reliable than the snowmobile&#8230;<a href=\"http:\/\/#ppsShowPopUp_150\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1626-scaled-e1678483648543.jpeg\" alt=\"\" class=\"wp-image-396\" width=\"432\" height=\"331\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1626-scaled-e1678483648543.jpeg 1587w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1626-scaled-e1678483648543-300x230.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1626-scaled-e1678483648543-1024x785.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1626-scaled-e1678483648543-768x588.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1626-scaled-e1678483648543-1536x1177.jpeg 1536w\" sizes=\"auto, (max-width: 432px) 100vw, 432px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Bob Boyer (Metis, 1948-2004)<br>Plans for Tee-pee at the First Native Business Summit (1986)<\/strong><\/p>\n\n\n\n<p>Ink and watercolour on paper<br>Gift of Robert Houle, 2001<\/p>\n\n\n\n<p>Bob Boyer was a renowned M\u00e9tis artist, art historian, curator and educator who exhibited his work across Canada and internationally. Working across sectors in education&#8230;<a href=\"http:\/\/#ppsShowPopUp_151\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2607.jpg\" alt=\"\" class=\"wp-image-562\" width=\"200\" height=\"200\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2607.jpg 759w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2607-300x300.jpg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2607-150x150.jpg 150w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2606.jpg\" alt=\"\" class=\"wp-image-565\" width=\"200\" height=\"200\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2606.jpg 776w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2606-300x300.jpg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2606-150x150.jpg 150w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2606-768x768.jpg 768w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2608.jpg\" alt=\"\" class=\"wp-image-563\" width=\"200\" height=\"200\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2608.jpg 780w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2608-300x300.jpg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2608-150x150.jpg 150w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2608-768x768.jpg 768w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2605.jpg\" alt=\"\" class=\"wp-image-561\" width=\"200\" height=\"200\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2605.jpg 769w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2605-300x300.jpg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2605-150x150.jpg 150w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2607.jpg\" alt=\"\" class=\"wp-image-562\" width=\"200\" height=\"200\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2607.jpg 759w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2607-300x300.jpg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2607-150x150.jpg 150w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2609.jpg\" alt=\"\" class=\"wp-image-564\" width=\"200\" height=\"200\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2609.jpg 781w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2609-300x300.jpg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2609-150x150.jpg 150w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_2609-768x768.jpg 768w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-vivid-red-color has-text-color\"><strong>Claude Tousignant (Canadian, b. 1932)<\/strong><\/p>\n\n\n\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-fe9cc265 wp-block-group-is-layout-flex\">\n<p>Ink on card (1995)<br>Clockwise from lower left:<\/p>\n\n\n\n<p><strong style=\"color: #CF2E2E;\">Dessin a l&#8217;encre dilu\u00e9e<\/strong><br>Gift of Mark Busgang, 1996<\/p>\n\n\n\n<p><strong style=\"color: #CF2E2E;\">Dessin a l&#8217;encre<\/strong><br>Gift of Reginald Pearson, 1996<\/p>\n\n\n\n<p><strong style=\"color: #CF2E2E;\">Dessin a l&#8217;encre dilu\u00e9e<\/strong><br>Gift of Mark Busgang, 1996<\/p>\n\n\n\n<p><strong style=\"color: #CF2E2E;\">Dessin a l&#8217;encre<\/strong><br>Gift of Elke Dinter, 1995<\/p>\n\n\n\n<p><strong style=\"color: #CF2E2E;\">Dessin a l&#8217;encre<\/strong><br>Gift of Elke Dinter, 1996<\/p>\n\n\n\n<p><strong style=\"color: #CF2E2E;\">Dessin a l&#8217;encre<\/strong><br>Gift of Elke Dinter, 1996<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1630-scaled-e1678486040459.jpeg\" alt=\"\" class=\"wp-image-400\" width=\"513\" height=\"429\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1630-scaled-e1678486040459.jpeg 1260w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1630-scaled-e1678486040459-300x251.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1630-scaled-e1678486040459-1024x858.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1630-scaled-e1678486040459-768x644.jpeg 768w\" sizes=\"auto, (max-width: 513px) 100vw, 513px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1631-scaled-e1678486065337.jpeg\" alt=\"\" class=\"wp-image-401\" width=\"521\" height=\"429\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1631-scaled-e1678486065337.jpeg 1241w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1631-scaled-e1678486065337-300x248.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1631-scaled-e1678486065337-1024x845.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1631-scaled-e1678486065337-768x634.jpeg 768w\" sizes=\"auto, (max-width: 521px) 100vw, 521px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1632-scaled-e1678486090668.jpeg\" alt=\"\" class=\"wp-image-402\" width=\"534\" height=\"429\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1632-scaled-e1678486090668.jpeg 1273w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1632-scaled-e1678486090668-300x241.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1632-scaled-e1678486090668-1024x824.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1632-scaled-e1678486090668-768x618.jpeg 768w\" sizes=\"auto, (max-width: 534px) 100vw, 534px\" \/><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center\"><strong style=\"color: #CF2E2E;\">Kablusiak<\/strong><br>Invited by Heather Igloliorte<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\">Garfields and Pooky (inspired by Germaine Arnaktauyok&#8217;s &#8220;Innua&#8221; 2007) (2021)<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\">An Inuk Riding Garfield (Inspired by Pudlo Pudlat&#8217;s &#8220;Vision of Two Worlds&#8221; 1983 (2021)<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\">Garfield Sitting in an Iglu (inspired by Agnes Topiak&#8217;s &#8220;Sleeping Family&#8221; 1970) (2021)<\/p>\n\n\n\n<p>Ink on paper, edition 1\/3<br>Courtesy of the artist and Norberg Hall<\/p>\n\n\n\n<div class=\"wp-block-group alignwide is-vertical is-layout-flex wp-container-core-group-is-layout-fe9cc265 wp-block-group-is-layout-flex\">\n<p>Heather writes:<\/p>\n\n\n\n<p>The Inuvialuk artist Kablusiak draws on Inuit art history and personal experiences in their artwork, which includes drawing, carving and sewing &#8211; canonical practices within the modern Inuit art industry beginning in the mid-twentieth century.<\/p>\n\n\n\n<p>Years ago, Kablusiak gave an interview in which they talked about the &#8220;crushing weight of Inuit art&#8221; &#8211; that heavy, heady, imposing history of markets and masterworks that still looms large over Inuit art production. White settler outsiders established the international art market, dictating what could and could not be defined as Inuit art. There were also so many unbelievably brilliant Inuit artists in those early years whose prolific and raw talent defined Inuit aesthetics for generations.<\/p>\n\n\n\n<p>These inherited legacies can inspire, but also intimidate, emerging artists: Kablusiak found them almost overwhelming when in art school. They started making loose, cathartic sketches as a way to free themself from the burden of cultural representation.<\/p>\n\n\n\n<p>Lucky for us, they no longer feel the extraordinary weight of Inuit art history. Today, Kablusiak engages with that legacy freely, whether by adding Garfield to an iconic Germaine Arnaktauyok print or one-upping Annie Pootoogook&#8217;s Watching Jerry Springer (2002-03) with an even more scandalous parody of an earlv-2000s viral video.<\/p>\n\n\n\n<p>As Kablusiak has said, &#8220;I am at a point in my artmaking where I have permission from myself &#8211; and other people &#8211; and now I can just have fun.&#8221; Now, Inuit art history, for Kablusiak, is &#8220;more like a weighted blanket.&#8221;<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1635-scaled-e1678559228859-1024x904.jpeg\" alt=\"\" class=\"wp-image-405\" width=\"371\" height=\"326\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Kablusiak<br>Two girls one computer (2022)<\/strong><\/p>\n\n\n\n<p>Pencil cravon and ink on paper<br>Courtesy of the artist and Norberg Hall<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\">There is no textual explanation for this artwork<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1637-scaled-e1678559416608-882x1024.jpeg\" alt=\"\" class=\"wp-image-407\" width=\"281\" height=\"326\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1637-scaled-e1678559416608-882x1024.jpeg 882w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1637-scaled-e1678559416608-258x300.jpeg 258w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1637-scaled-e1678559416608-768x891.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1637-scaled-e1678559416608-1323x1536.jpeg 1323w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1637-scaled-e1678559416608-1765x2048.jpeg 1765w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1637-scaled-e1678559416608.jpeg 1830w\" sizes=\"auto, (max-width: 281px) 100vw, 281px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Kablusiak<br>Selection from the Life Is Okay Sometimes series (2014-17)<\/strong><\/p>\n\n\n\n<p>Ink on paper<br>Courtesy of the artist and Norberg Hall<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\">There is no textual explanation for this artwork<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1639-scaled-e1678559633522-1024x904.jpeg\" alt=\"\" class=\"wp-image-409\" width=\"370\" height=\"326\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1639-scaled-e1678559633522-1024x904.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1639-scaled-e1678559633522-300x265.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1639-scaled-e1678559633522-768x678.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1639-scaled-e1678559633522.jpeg 1203w\" sizes=\"auto, (max-width: 370px) 100vw, 370px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Kablusiak<br>That&#8217;s All! (2022)<\/strong><\/p>\n\n\n\n<p>Pencil crayon and ink on paper<br>Courtesy of the artist and Norberg Hall<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\">There is no textual explanation for this artwork<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1641-scaled-e1678559760741.jpeg\" alt=\"\" class=\"wp-image-411\" width=\"508\" height=\"326\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1641-scaled-e1678559760741.jpeg 1619w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1641-scaled-e1678559760741-300x193.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1641-scaled-e1678559760741-1024x660.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1641-scaled-e1678559760741-768x495.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1641-scaled-e1678559760741-1536x990.jpeg 1536w\" sizes=\"auto, (max-width: 508px) 100vw, 508px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>John Webster (Canadian, b. 1947)<br>Carleton University, Ottawa (1986)<\/strong><\/p>\n\n\n\n<p>Watercolour on paper<br>Gift of Helen and Courtney Gilliatt, 1987<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\">There is no textual explanation for this artwork<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1643-scaled-e1678559925774-828x1024.jpeg\" alt=\"\" class=\"wp-image-413\" width=\"263\" height=\"326\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1643-scaled-e1678559925774-828x1024.jpeg 828w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1643-scaled-e1678559925774-243x300.jpeg 243w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1643-scaled-e1678559925774-768x950.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1643-scaled-e1678559925774.jpeg 947w\" sizes=\"auto, (max-width: 263px) 100vw, 263px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Elizabeth Harrison (Canadian, 1907-2001)<br>Carleton College Crest and Motto (1951)<\/strong><\/p>\n\n\n\n<p>Pen and ink on paperCarleton University Corporate Records and Archives<\/p>\n\n\n\n<p>In 1951, Carleton University&#8217;s Board of Governors commissioned the Kingston-based artist Elizabeth Harrison to render the University&#8217;s proposed crest&#8230;<a href=\"http:\/\/#ppsShowPopUp_152\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"643\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1645-scaled-e1678560034702-1024x643.jpeg\" alt=\"\" class=\"wp-image-415\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1645-scaled-e1678560034702-1024x643.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1645-scaled-e1678560034702-300x188.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1645-scaled-e1678560034702-768x482.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1645-scaled-e1678560034702-1536x964.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1645-scaled-e1678560034702.jpeg 1875w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Richard H. Millson (1886-1946)<br>New Building for the Ottawa Ladies College (1913)<\/strong><\/p>\n\n\n\n<p>Graphite and watercolour on paper<br>Carleton University<\/p>\n\n\n\n<p>We found this uncatalogued drawing while looking through the collection in preparation for Drawing on Our History. This architectural rendering, made by architect Richard H. Millson, depicts the former Ottawa Ladies College, which&#8230;<a href=\"http:\/\/#ppsShowPopUp_153\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/\u5df2\u79fb\u9664\u80cc\u666f\u7684IMG_1647-edited-scaled.jpeg\" alt=\"\" class=\"wp-image-570\" width=\"326\" height=\"326\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/\u5df2\u79fb\u9664\u80cc\u666f\u7684IMG_1647-edited-scaled.jpeg 2560w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/\u5df2\u79fb\u9664\u80cc\u666f\u7684IMG_1647-edited-300x300.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/\u5df2\u79fb\u9664\u80cc\u666f\u7684IMG_1647-edited-1024x1024.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/\u5df2\u79fb\u9664\u80cc\u666f\u7684IMG_1647-edited-150x150.jpeg 150w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/\u5df2\u79fb\u9664\u80cc\u666f\u7684IMG_1647-edited-768x768.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/\u5df2\u79fb\u9664\u80cc\u666f\u7684IMG_1647-edited-1536x1536.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/\u5df2\u79fb\u9664\u80cc\u666f\u7684IMG_1647-edited-2048x2048.jpeg 2048w\" sizes=\"auto, (max-width: 326px) 100vw, 326px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Kim Moodie (Canadian, b. 1951)<br>Untitled (undated)<\/strong><\/p>\n\n\n\n<p>Felt-tip pen on paper<br>Gift of Mary-Anne de Kergommeaux, 1997<\/p>\n\n\n\n<p>Kim Moodie is known for his highly detailed ink drawings. Mining and mixing historical traditions and cultural genres from illuminated manuscripts to comic books, graphic novels and children&#8217;s books, Moodie has developed&#8230;<a href=\"http:\/\/#ppsShowPopUp_154\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1649-scaled-e1678560335704.jpeg\" alt=\"\" class=\"wp-image-418\" width=\"231\" height=\"326\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1649-scaled-e1678560335704.jpeg 1753w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1649-scaled-e1678560335704-212x300.jpeg 212w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1649-scaled-e1678560335704-725x1024.jpeg 725w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1649-scaled-e1678560335704-768x1085.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1649-scaled-e1678560335704-1087x1536.jpeg 1087w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1649-scaled-e1678560335704-1450x2048.jpeg 1450w\" sizes=\"auto, (max-width: 231px) 100vw, 231px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Shelagh Keeley (Canadian, b. 1954)<br>Ex Voto \/ Lung (1990)<\/strong><\/p>\n\n\n\n<p>Graphite, wax, charcoal and pigment on Transpagra<br>Gift of Ron Kaplansky, 1995<\/p>\n\n\n\n<p>After graduating from York University in Toronto in 1977, Shelagh Keeley spent the next two decades between New York and Paris, creating the large-scale drawings and installation works for which she is acclaimed&#8230;<a href=\"http:\/\/#ppsShowPopUp_155\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1654-scaled-e1678560567797.jpeg\" alt=\"\" class=\"wp-image-423\" width=\"454\" height=\"326\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1654-scaled-e1678560567797.jpeg 1640w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1654-scaled-e1678560567797-300x216.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1654-scaled-e1678560567797-1024x738.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1654-scaled-e1678560567797-768x554.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1654-scaled-e1678560567797-1536x1107.jpeg 1536w\" sizes=\"auto, (max-width: 454px) 100vw, 454px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Luke Anguhadluq (Qamani&#8217;tuaq, 1895-1982)<br>Drum Dance (1972)<\/strong><\/p>\n\n\n\n<p>Coloured pencil on paper<br>Gift of Drew and Carolle Anne Armour, 2009<\/p>\n\n\n\n<p>An esteemed hunter and leader, Luke Anguhadluq moved to Qamani&#8217;tuaq in 1961. His first documented drawings, made that year, no longer survive, but he was soon drawing regularly. He sometimes turned the paper&#8230;<a href=\"http:\/\/#ppsShowPopUp_156\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image alignwide size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1848\" height=\"2560\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1651-1-scaled.jpeg\" alt=\"\" class=\"wp-image-571\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1651-1-scaled.jpeg 1848w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1651-1-217x300.jpeg 217w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1651-1-739x1024.jpeg 739w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1651-1-768x1064.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1651-1-1109x1536.jpeg 1109w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1651-1-1478x2048.jpeg 1478w\" sizes=\"auto, (max-width: 1848px) 100vw, 1848px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center\"><strong style=\"color: #CF2E2E;\">When the Stars Speak<\/strong><br>By Nalakwsis<\/p>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>It was getting chilly. Soup could feel it in the wind and feel the messages it carried.<\/p>\n\n\n\n<p>The wind told Soup the cold would stay soon. The sun had set long ago and in the clear night sky, the Stars were twinkling. Soup could smell the frost in the air and see it in the Stars.<\/p>\n\n\n\n<p>It felt lonely. A feeling Soup didn&#8217;t feel often, but when they did, it felt exactly how it feels when the cold stays and the nights become longer. When the animals sleep, and the air is frozen. It was lonely. Taking in the air, Soup closed their eyes.<\/p>\n\n\n\n<p>A soft voice reached out suddenly. &#8220;Hello, little one.&#8221; It said.<\/p>\n\n\n\n<p>Soup opened their eyes and looked around. &#8220;Hello?&#8221; Soup answered.<\/p>\n\n\n\n<p>&#8220;Up here!&#8221; Two voices spoke this time. And then three voices directed, &#8220;Up here, our relative!&#8221;<\/p>\n\n\n\n<p>&#8220;Oh, it&#8217;s you!&#8221; Soup responded and looked up at the Stars.<\/p>\n\n\n\n<p>&#8220;Why do you feel so lonely?&#8221; The Stars asked together.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Soup thought for a moment and then answered, &#8220;It just feels&#8230; lonely at this time. The animals sleep, the trees sleep. The winds are busy. It&#8217;s just a lonely time for a being like me.&#8221;<\/p>\n\n\n\n<p>&#8220;Our dear Little One. You are never alone! After all, you came from us.&#8221; The Stars sang together.<\/p>\n\n\n\n<p>&#8220;Hmmm.. I guess I just always thought I couldn&#8217;t speak with you.&#8221; Soup said.<\/p>\n\n\n\n<p>&#8220;We are always listening. And we always answer. Just take a moment and listen for us.&#8221; The Stars sang and danced.<\/p>\n\n\n\n<p>&#8220;Oh! Well, would you like to hear what I did today?&#8221; Soup asked excitedly.<\/p>\n\n\n\n<p>&#8220;Oh, yes please. The Stars giggled, their light shining brighter.<\/p>\n\n\n\n<p>During the next long cold snowy nights, Soup found comfort and conversation in the Stars. Soup told the Stars of their many adventures. Even when the cold left, Soup looked to the Stars.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1656-scaled.jpeg\" alt=\"\" class=\"wp-image-425\" width=\"435\" height=\"326\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1656-scaled.jpeg 2560w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1656-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1656-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1656-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1656-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1656-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 435px) 100vw, 435px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\">Gayle Uyagagi Kabloona<br>Ilakka (2023)<\/p>\n\n\n\n<p>Clay, underglaze and glaze<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\">Untitled (2022)<\/p>\n\n\n\n<p>Clay and glaze<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\">Gayle Uyagaqi Kabloona and Tracy Hurren<br>Untitled (2022)<\/p>\n\n\n\n<p>Clay, underglaze and glaze<br>Courtesy of the artist<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1689-scaled.jpeg\" alt=\"\" class=\"wp-image-434\" width=\"435\" height=\"326\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1689-scaled.jpeg 2560w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1689-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1689-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1689-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1689-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1689-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 435px) 100vw, 435px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\">Kenojuak Ashevak (Kinngait, 1927-2013)<br>Untitled (Woman with Two Ravens) (undated)<\/p>\n\n\n\n<p>Pen, coloured pencil and ink on paper The Priscilla Tyler and Maree Brooks Collection of Inuit Art<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\">There is no textual explanation for this artwork<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1658-1024x768.jpeg\" alt=\"\" class=\"wp-image-427\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1658-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1658-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1658-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1658-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1658-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center\"><strong style=\"color: #CF2E2E;\">M\u00e9lanie Myers<\/strong><br>Invited by Heather Anderson<\/p>\n\n\n\n<div class=\"wp-block-group alignwide is-vertical is-layout-flex wp-container-core-group-is-layout-fe9cc265 wp-block-group-is-layout-flex\">\n<p>Heather writes:<\/p>\n\n\n\n<p>M\u00e9lanie Mvers explores the genres of landscape and land art as mediated by photographs, drawing from the seemingly unlimited V image bank available on the Internet. Myers leverages drawing and papier-m\u00e2ch\u00e9 as a practical and economical way of engaging with monumental sculptures sited in the landscape, extending an earlier theme of her work in which she examined touchstone works of land art by Richard Serra and Michael Heizer among others.<\/p>\n\n\n\n<p>In this new installation, the Gatineau-based artist depicts a rugged Canadian forest landscape as though seen from the water. In the upper triptych, white &#8220;negative space&#8221; forms inhabit the shoreline amidst stumps, branches and a dense screen of coniferous trees. These ghost-like shapes reference British artist Henry Moore&#8217;s Three Piece Sculpture: Vertebrae (1968-69). In the drawing below, another enigmatic form, this one inspired by Moore&#8217;s Large Reclining Ficure (1984) and patterned with delicate green scales, rests entwined with sprawling branches.<\/p>\n\n\n\n<p>Building up the underlying surface with papier-m\u00e2ch\u00e9 and sculpting freestanding elements, Myers pushes the forms and possibilities of drawing. Two French-style doors, structurally distorted like images reflected on rippling water, serve as the foreground. Like the detailed wall drawings, the doors&#8217; pencil-crayoned surfaces evidence the labour of their creation. Their alluring camouflage effect invites us to come closer, while their windows become frames through which to view the multi-dimensional landscape beyond.<\/p>\n\n\n\n<p>Sans titre (Henry Moore, Reclining Figure et Vertebrae), 2022-23<br>Coloured pencil on papier-m\u00e2ch\u00e9<\/p>\n\n\n\n<p>With the assistance of Genevi\u00e8ve L Richard<br>Courtesy of the artist<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons alignwide is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-72caf8c6 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--6\"><a class=\"wp-block-button__link has-contrast-color has-base-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1hw7ILOLm1txRcrq69OTa3lpHKuHVhBR_\/view?usp=sharing\" style=\"border-radius:21px\" target=\"_blank\" rel=\"noreferrer noopener\">GLB 3D Model Download<\/a><\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"776\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1660-scaled-e1678563739631-1024x776.jpeg\" alt=\"\" class=\"wp-image-429\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1660-scaled-e1678563739631-1024x776.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1660-scaled-e1678563739631-300x227.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1660-scaled-e1678563739631-768x582.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1660-scaled-e1678563739631-1536x1164.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1660-scaled-e1678563739631-2048x1552.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-video aligncenter\"><video height=\"1080\" style=\"aspect-ratio: 1920 \/ 1080;\" width=\"1920\" autoplay controls muted src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1527.mov\"><\/video><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-vivid-red-color has-text-color\"><strong>Ed Pien (Canadian, b. 1958)<br>Medusa (2012)<\/strong><\/p>\n\n\n\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-fe9cc265 wp-block-group-is-layout-flex\">\n<p>Ink on cut 3M reflector film laminated on Shoji paper<br>The A. T. Tolley Art Collection<\/p>\n\n\n\n<p>Ed Pien drew with a knife to create this shimmering tentacular composition. In 2004, Pien made a research trip to China, where he encountered a spectacular cut-paper piece in a temple. He began experimenting with the ancient Chinese art of papercutting. The monumental tree, human figures and ropes in Medusa reference La vendaison<\/p>\n\n\n\n<p>(1633), an etching by Jacques Callot, and Nancy Spero&#8217;s sculpture Maypole: Take No Prisoners (2008). It is also inspired by Pien&#8217;s experience of fireflies amongst ancient trees: a captivating homage to trees as more-than-human beings&#8230;<a href=\"http:\/\/#ppsShowPopUp_157\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1691-1024x768.jpeg\" alt=\"\" class=\"wp-image-436\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1691-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1691-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1691-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1691-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1691-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1692-1024x768.jpeg\" alt=\"\" class=\"wp-image-437\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1692-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1692-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1692-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1692-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1692-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1693-1024x768.jpeg\" alt=\"\" class=\"wp-image-438\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1693-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1693-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1693-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1693-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1693-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1694-1024x768.jpeg\" alt=\"\" class=\"wp-image-439\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1694-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1694-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1694-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1694-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1694-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1695-1024x768.jpeg\" alt=\"\" class=\"wp-image-440\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1695-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1695-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1695-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1695-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1695-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center has-vivid-red-color has-text-color\"><strong>Sharon Norwood<br>Untitled (2018)<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Glazed ceramic<br>Courtesy of the artist<\/p>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1696-scaled.jpeg\" alt=\"\" class=\"wp-image-441\" width=\"993\" height=\"744\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1696-scaled.jpeg 2560w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1696-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1696-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1696-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1696-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1696-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 993px) 100vw, 993px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-vivid-red-color has-text-color\"><strong>Deliberately Peculiar (2022)<\/strong><\/p>\n\n\n\n<p>Glazed ceramic, overglaze, lustre and decals<br>Courtesy of the artist and The Next Contemporary<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-vivid-red-color has-text-color\"><strong>Hair Matters (2022)<\/strong><\/p>\n\n\n\n<p>Custom decal drawings on vintage porcelain tea set<br>Courtesy of the artist<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1697-scaled-e1678565136448.jpeg\" alt=\"\" class=\"wp-image-442\" width=\"517\" height=\"744\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1697-scaled-e1678565136448.jpeg 1120w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1697-scaled-e1678565136448-208x300.jpeg 208w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1697-scaled-e1678565136448-711x1024.jpeg 711w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1697-scaled-e1678565136448-768x1105.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1697-scaled-e1678565136448-1067x1536.jpeg 1067w\" sizes=\"auto, (max-width: 517px) 100vw, 517px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-vivid-red-color has-text-color\"><strong>The Root of the Matter (2016)<\/strong><\/p>\n\n\n\n<p>Digital collage on paper<br>Courtesy of the artist<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-vivid-red-color has-text-color\"><strong>Untangled Roots and Things (2023)<\/strong><\/p>\n\n\n\n<p>Custom wallpaper installation<br>Courtesy of the artist<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center\"><strong style=\"color: #CF2E2E;\">Sharon Norwood<\/strong><br>Invited by Kosisochukwu Nnebe<\/p>\n\n\n\n<div class=\"wp-block-group alignwide is-vertical is-layout-flex wp-container-core-group-is-layout-fe9cc265 wp-block-group-is-layout-flex\">\n<p>Kosisochukwu writes:<\/p>\n\n\n\n<p>Rooted in the formal language of drawing and mark-making, Sharon Norwood&#8217;s practice homes in on a single line &#8211; a fine stroke reminiscent of the curl pattern of Black hair &#8211; to speak to complexities surrounding Black presence and history in North America.<\/p>\n\n\n\n<p>Norwood&#8217;s commitment to rethinking both history and perceptions of beauty and Blackness is clear. In Hair Matters, the curly line adds itself to the delicate and ornate floral patterns of a porcelain tea set, whereas in The Root of the Matter, a digital collage, it comes to dominate imagery of three upper-class women sourced from a nineteenth-century European print in the Metropolitan Museum of Art&#8217;s collection. In both cases, the juxtaposition makes visible the relationship between race, gender, beauty, class and labour. The tea and new fashions that became symbols of class privilege from the fifteenth through the nineteenth centuries all depended on the production of sugar and cotton by enslaved Africans.<\/p>\n\n\n\n<p>In Norwood&#8217;s practice, the line becomes a stand-in for the Black body; through the repeated drawing and superimposition of a single, curly line, she affirms the historic and continued presence of Black people in Canada. For Drawing on our History, this line expands even further, taking over the walls of the gallery in a site-specific wallpaper installation that goes beyond the decorative to become its own kind of map &#8211; a remaking of the Canadian landscape. And, finally, presented as a set of ceramic sculptures, the line takes on a physical form that visualizes the true heft and weight of its presence.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1702-scaled-e1678566386787.jpeg\" alt=\"\" class=\"wp-image-447\" width=\"501\" height=\"326\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1702-scaled-e1678566386787.jpeg 2195w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1702-scaled-e1678566386787-300x195.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1702-scaled-e1678566386787-1024x666.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1702-scaled-e1678566386787-768x499.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1702-scaled-e1678566386787-1536x999.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1702-scaled-e1678566386787-2048x1331.jpeg 2048w\" sizes=\"auto, (max-width: 501px) 100vw, 501px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Jagdeep Raina<br>From where goodness grows (2014)<\/strong><\/p>\n\n\n\n<p>Mixed media on paper<br>Courtesy of the artist and Cooper Cole, Toronto<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\">There is no textual explanation for this artwork<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1708-scaled-e1678566731226-724x1024.jpeg\" alt=\"\" class=\"wp-image-451\" width=\"231\" height=\"326\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1708-scaled-e1678566731226-724x1024.jpeg 724w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1708-scaled-e1678566731226-212x300.jpeg 212w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1708-scaled-e1678566731226-768x1086.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1708-scaled-e1678566731226-1086x1536.jpeg 1086w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1708-scaled-e1678566731226-1448x2048.jpeg 1448w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1708-scaled-e1678566731226.jpeg 1529w\" sizes=\"auto, (max-width: 231px) 100vw, 231px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Jagdeep Raina<br>Moving target (2015)<\/strong><\/p>\n\n\n\n<p>Mixed media on paper<br>Courtesy of the artist and Cooper Cole, Toronto<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\">There is no textual explanation for this artwork<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1714-scaled-e1678567605482.jpeg\" alt=\"\" class=\"wp-image-457\" width=\"232\" height=\"326\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Jagdeep Raina<br>this blessed house (2014)<\/strong><\/p>\n\n\n\n<p>Mixed media on paper<br>Courtesy of the artist and Cooper Cole, Toronto<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\">There is no textual explanation for this artwork<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1705-edited-scaled.jpeg\" alt=\"\" class=\"wp-image-580\" width=\"246\" height=\"326\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Jagdeep Raina<br>Ghost in the Fields (2023)<\/strong><\/p>\n\n\n\n<p>Animated film, 2:28 minute<br>Courtesy of the artist and Cooper Cole, Toronto<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\">There is no textual explanation for this artwork;<br>No copyright to demonstrate the video on CUAG Online, please visit in person<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1710-scaled-e1678567281137-1024x861.jpeg\" alt=\"\" class=\"wp-image-453\" width=\"388\" height=\"326\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1710-scaled-e1678567281137-1024x861.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1710-scaled-e1678567281137-300x252.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1710-scaled-e1678567281137-768x646.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1710-scaled-e1678567281137-1536x1291.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1710-scaled-e1678567281137.jpeg 1964w\" sizes=\"auto, (max-width: 388px) 100vw, 388px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Jagdeep Raina<br>Sarjeet&#8217;s offering (2015)<\/strong><\/p>\n\n\n\n<p>Mixed media on paper<br>Courtesy of the artist and Cooper Cole, Toronto<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\">There is no textual explanation for this artwork<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1712-scaled-e1678567389100-884x1024.jpeg\" alt=\"\" class=\"wp-image-455\" width=\"282\" height=\"326\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1712-scaled-e1678567389100-884x1024.jpeg 884w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1712-scaled-e1678567389100-259x300.jpeg 259w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1712-scaled-e1678567389100-768x890.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1712-scaled-e1678567389100-1326x1536.jpeg 1326w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1712-scaled-e1678567389100.jpeg 1580w\" sizes=\"auto, (max-width: 282px) 100vw, 282px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Jagdeep Raina<br>Madhur&#8217;s Phulkari (2021)<\/strong><\/p>\n\n\n\n<p>Animated film, 5:16 minutes<br>Courtesy of the artist and Cooper Cole, Toronto<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\">There is no textual explanation for this artwork;<br>No copyright to demonstrate the video on CUAG Online, please visit in person<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center\"><strong style=\"color: #CF2E2E;\">Jagdcop Raina<\/strong><br>Invited by Anna Khimasia<\/p>\n\n\n\n<div class=\"wp-block-group alignwide is-vertical is-layout-flex wp-container-core-group-is-layout-fe9cc265 wp-block-group-is-layout-flex\">\n<p>Anna writes:<\/p>\n\n\n\n<div class=\"wp-block-group alignwide is-vertical is-layout-flex wp-container-core-group-is-layout-fe9cc265 wp-block-group-is-layout-flex\">\n<p>Jagdeep Raina&#8217;s work blends personal stories with historical archives, addressing larger narratives of transnational migration and nationhood. Focused on Kashmiri and Punjabi Sikh experiences, Raina&#8217;s work makes space for these often-erased histories.<\/p>\n\n\n\n<p>Working in embroidery, drawing and animation, Raina reclaims lost traditions, stories and objects such as the Phulkari, an embroidered cloth unique to the Punjab region. In his animation, Madhur&#8217;s Phulkari, the lost craft of the Phulkari and the subsequent disappearance of these embroidered cloths stand in for the erasure and displacement of people and place. Raina dedicates the work &#8220;to all the Phulkaris lost in history.&#8221;<\/p>\n\n\n\n<p>Raina&#8217;s charting of Sikh experiences in Canada is most apparent in this series of drawings, where he reminds us of the histories and sites associated with Sikh immigration. His drawings of the Gur Sikh Temple in Abbotsford, British Columbia, the oldest existing Sikh temple in North America, act as both a reminder and a monument. This approach pushes us to think about the multiple intersections of histories and lived experiences as the past comes to bear on the present.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1700-1-scaled.jpeg\" alt=\"\" class=\"wp-image-579\" width=\"241\" height=\"326\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Trevor Gould (Canadian, b. 1951)<br>Parc Lafontaine (1986)<\/strong><\/p>\n\n\n\n<p>Chalk pastel on rag paper<br>Gift of Victoria Henry, 2005<\/p>\n\n\n\n<p>Trevor Gould made this drawing not long after immigrating to Canada from South Africa. He began investigating his adopted city of Montreal, &#8220;working out ideas related to site and place,&#8221; as he has said&#8230;<a href=\"http:\/\/#ppsShowPopUp_158\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1716-scaled-e1678568270939.jpeg\" alt=\"\" class=\"wp-image-459\" width=\"278\" height=\"333\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1716-scaled-e1678568270939.jpeg 1804w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1716-scaled-e1678568270939-250x300.jpeg 250w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1716-scaled-e1678568270939-852x1024.jpeg 852w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1716-scaled-e1678568270939-768x923.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1716-scaled-e1678568270939-1278x1536.jpeg 1278w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1716-scaled-e1678568270939-1703x2048.jpeg 1703w\" sizes=\"auto, (max-width: 278px) 100vw, 278px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-small-font-size\"><strong>Gerald McMaster (b. 1953)<br>N\u00eahayiw (Plains Cree), Siksika Nation Atim The Dog (1988)<\/strong><\/p>\n\n\n\n<p>Chalk pastel, acrylic and charcoal on paper<br>Purchase, 1989<\/p>\n\n\n\n<p>This imposing drawing by Gerald McMaster was purchased in 1989 by art history professor Roger Mesley, during the period he served as volunteer curator of Carlton&#8217;s art collection (1982-92)&#8230;<a href=\"http:\/\/#ppsShowPopUp_160\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1718-768x1024.jpeg\" alt=\"\" class=\"wp-image-461\" width=\"245\" height=\"326\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1718-768x1024.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1718-225x300.jpeg 225w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1718-1152x1536.jpeg 1152w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1718-1536x2048.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1718-scaled.jpeg 1920w\" sizes=\"auto, (max-width: 245px) 100vw, 245px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Gunter Note (Canadian, 1938-2000)<br>Pie (1986)<\/strong><\/p>\n\n\n\n<p>Charcoal on paper, stainless steel<br>Gift of Gunter Note, 1996<\/p>\n\n\n\n<p>The German-born, Ottawa-based Gunter Note&#8217;s artistic preoccupations were primarily formal. In the&#8230;<a href=\"http:\/\/#ppsShowPopUp_161\">Read More<\/a><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--7\"><a class=\"wp-block-button__link has-contrast-color has-base-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1VjShTj8D3lzEiy5XA8DM4lbHNcfzDa7Y\/view?usp=sharing\" style=\"border-radius:19px\" target=\"_blank\" rel=\"noreferrer noopener\">GLB 3D Model Download<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1720-scaled.jpeg\" alt=\"\" class=\"wp-image-463\" width=\"435\" height=\"326\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1720-scaled.jpeg 2560w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1720-300x225.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1720-1024x768.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1720-768x576.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1720-1536x1152.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1720-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 435px) 100vw, 435px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Christopher Kier (Canadian, b. 1959)<br>Study for Crossing III (1987)<\/strong><\/p>\n\n\n\n<p>Charcoal, graphite, oil stick and chalk pastel on paper<br>Purchase, 1987<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\">There is no textual explanation for this artwork<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1722-scaled-e1678568836151.jpeg\" alt=\"\" class=\"wp-image-465\" width=\"229\" height=\"327\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1722-scaled-e1678568836151.jpeg 1491w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1722-scaled-e1678568836151-210x300.jpeg 210w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1722-scaled-e1678568836151-716x1024.jpeg 716w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1722-scaled-e1678568836151-768x1098.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1722-scaled-e1678568836151-1075x1536.jpeg 1075w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1722-scaled-e1678568836151-1433x2048.jpeg 1433w\" sizes=\"auto, (max-width: 229px) 100vw, 229px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>John Scott (Canadian, 1950-2022)<br>5 Days of Work (1994)<\/strong><\/p>\n\n\n\n<p>Latex \/ acrylic, pastel and oil pastel on paper<br>Gift of Jeffrey Lipson, 1997<\/p>\n\n\n\n<p>The Toronto-based artist lohn Scott was passionate about the idea that art should be accessible to everyone. The prolific artist is known for his instinctual approach to drawing, creating works that are raw and unfiltered&#8230;<a href=\"http:\/\/#ppsShowPopUp_162\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1724-scaled-e1678568931972.jpeg\" alt=\"\" class=\"wp-image-467\" width=\"317\" height=\"326\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1724-scaled-e1678568931972.jpeg 1638w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1724-scaled-e1678568931972-292x300.jpeg 292w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1724-scaled-e1678568931972-997x1024.jpeg 997w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1724-scaled-e1678568931972-768x789.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1724-scaled-e1678568931972-1495x1536.jpeg 1495w\" sizes=\"auto, (max-width: 317px) 100vw, 317px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Duncan de Kergommeaux (Canadian, b. 1927)<br>Black Drawing No. 22 \/ 77 (1977)<\/strong><\/p>\n\n\n\n<p>Charcoal, graphite and blue pastel on paper<br>Gift of Duncan de Kergommeaux, 1995<\/p>\n\n\n\n<p>The grid, so ubiquitous in post-war art, dominated Duncan de Kergommeaux&#8217;s paintings through the 1970s. Late in the decade he decided to make his first grid-based drawings.<br>&#8230;<a href=\"http:\/\/#ppsShowPopUp_163\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1726-scaled-e1678569121911-1024x774.jpeg\" alt=\"\" class=\"wp-image-469\" width=\"432\" height=\"326\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1726-scaled-e1678569121911-1024x774.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1726-scaled-e1678569121911-300x227.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1726-scaled-e1678569121911-768x581.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1726-scaled-e1678569121911.jpeg 1472w\" sizes=\"auto, (max-width: 432px) 100vw, 432px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Ronald Bloore (Canadian, 1925-2009)<br>Untitled, September 3-5, 1982 (1982)<\/strong><\/p>\n\n\n\n<p>Sumi ink on paper<br>Gift of the artist, 1996<\/p>\n\n\n\n<p>In 1980, Ronald Bloore began using white architect&#8217;s drafting tape to construct abstract forms and structures on sheets of Arches paper. After brushing black Sumi ink on the paper and allowing it to dry, he removed the tape to&#8230;<a href=\"http:\/\/#ppsShowPopUp_164\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1728-scaled-e1678569315360.jpeg\" alt=\"\" class=\"wp-image-471\" width=\"242\" height=\"326\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1728-scaled-e1678569315360.jpeg 1299w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1728-scaled-e1678569315360-223x300.jpeg 223w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1728-scaled-e1678569315360-761x1024.jpeg 761w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1728-scaled-e1678569315360-768x1033.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1728-scaled-e1678569315360-1142x1536.jpeg 1142w\" sizes=\"auto, (max-width: 242px) 100vw, 242px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Robert Houle (b. 1947)<br>Sandy Bay First Nation<\/strong><br>Untitled, from the Summer Mohawk Series (1991)<\/p>\n\n\n\n<p>Acrylic, Mylar and ink on paper <br>Gift of the Friends of Art History, 1992<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\">There is no textual explanation for this artwork<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1730-scaled-e1678569442589.jpeg\" alt=\"\" class=\"wp-image-473\" width=\"181\" height=\"332\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1730-scaled-e1678569442589.jpeg 851w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1730-scaled-e1678569442589-164x300.jpeg 164w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1730-scaled-e1678569442589-560x1024.jpeg 560w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1730-scaled-e1678569442589-768x1403.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1730-scaled-e1678569442589-841x1536.jpeg 841w\" sizes=\"auto, (max-width: 181px) 100vw, 181px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>Gerald Trottier (Canadian, 1925-2004)<br>Preparatory sketch for Easter Series (1982)<\/strong><\/p>\n\n\n\n<p>Pen and ink on paper<br>Gift of Gerald and Irma Trotter, 2002<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\">There is no textual Explanation for this artwork<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1732-scaled-e1678569568165.jpeg\" alt=\"\" class=\"wp-image-475\" width=\"351\" height=\"290\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1732-scaled-e1678569568165.jpeg 960w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1732-scaled-e1678569568165-300x248.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1732-scaled-e1678569568165-768x634.jpeg 768w\" sizes=\"auto, (max-width: 351px) 100vw, 351px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1733-scaled-e1678569619546-1024x789.jpeg\" alt=\"\" class=\"wp-image-476\" width=\"377\" height=\"290\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1733-scaled-e1678569619546-1024x789.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1733-scaled-e1678569619546-300x231.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1733-scaled-e1678569619546-768x592.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1733-scaled-e1678569619546.jpeg 1254w\" sizes=\"auto, (max-width: 377px) 100vw, 377px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center has-vivid-red-color has-text-color\"><strong>Cecil Buller (Canadian, 1886-1973)<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center has-vivid-red-color has-text-color\"><strong>Untitled (c. 1920s)<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center has-vivid-red-color has-text-color\"><strong>Untitled (c. 1920s)<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center\">Ink on card<br>Gift of Sean Murphy, 2007<\/p>\n\n\n\n<p>Cecil Buller trained as a figure painter in Montreal and Paris before focusing on printmaking. These undated drawings were likely inspired by Buller&#8217;s time in Paris in the 1920s, a decade when she was very productive.<\/p>\n\n\n\n<p>These drawings evidence Buller&#8217;s interest in women who enjoyed the freer, modern fashions and energetic social scene of 1920s Paris. With their art nouveau influence, Buller&#8217;s drawings demonstrate her singularly modern, flattened graphic approach, which she combines with eye-catching patterning&#8230;<a href=\"http:\/\/#ppsShowPopUp_165\">Read More<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1735-scaled-e1678569704105.jpeg\" alt=\"\" class=\"wp-image-478\" width=\"277\" height=\"370\"\/><\/figure>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\"><strong>L\u00e9on Bellefleur (Canadian, 1910-2007)<br>Enigmes sous clef (1965)<\/strong><\/p>\n\n\n\n<p>Pen and ink with ink wash on paper<br>Gift of Glenn and Barbara McInnes, 1994<\/p>\n\n\n\n<p>The Montreal-born L\u00e9on Bellefleur moved to Paris in 1958 on a grant from the Canada Council for the Arts. Traditionally an oil painter, he lived in Paris for many years and worked as part of the Surrealist movement&#8230;<a href=\"http:\/\/#ppsShowPopUp_166\">Read More<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image alignfull size-full is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"2343\" src=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1663-1-scaled.jpeg\" alt=\"\" class=\"wp-image-583\" srcset=\"https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1663-1-scaled.jpeg 2560w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1663-1-300x275.jpeg 300w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1663-1-1024x937.jpeg 1024w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1663-1-768x703.jpeg 768w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1663-1-1536x1406.jpeg 1536w, https:\/\/cubmpd.ca\/cuagonline\/wp-content\/uploads\/2023\/03\/IMG_1663-1-2048x1874.jpeg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-buttons alignfull is-content-justification-space-between is-layout-flex wp-container-core-buttons-is-layout-b2891da8 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-base-color has-vivid-red-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/cubmpd.ca\/cuagonline\/2022-fall\/\" style=\"border-radius:20px\" target=\"_blank\" rel=\"noreferrer noopener\">Previous Exhibition: 2022 Fall<br>Where We Stand<\/a><\/div>\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-base-color has-vivid-red-background-color has-text-color has-background wp-element-button\" style=\"border-radius:20px\">Next Exhibition: 2023 Summer<br>Rajni Perera: Futures<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>2023 Winter Jay OdiickInvited by Danielle PrintupAnishin\u00e4bewaki \/ Anishinabe Aki, 2022Courtesy of the artist Danielle writes: The Algonquin artist, writer and television producer lay Odick combines his drawing and writing practices in this new work to express his deep relationship to Anishinabe Aki: the land. Odfick brings this connection to life through language, imagery and [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"blank","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"class_list":["post-99","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cubmpd.ca\/cuagonline\/wp-json\/wp\/v2\/pages\/99","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cubmpd.ca\/cuagonline\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cubmpd.ca\/cuagonline\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cubmpd.ca\/cuagonline\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cubmpd.ca\/cuagonline\/wp-json\/wp\/v2\/comments?post=99"}],"version-history":[{"count":53,"href":"https:\/\/cubmpd.ca\/cuagonline\/wp-json\/wp\/v2\/pages\/99\/revisions"}],"predecessor-version":[{"id":707,"href":"https:\/\/cubmpd.ca\/cuagonline\/wp-json\/wp\/v2\/pages\/99\/revisions\/707"}],"wp:attachment":[{"href":"https:\/\/cubmpd.ca\/cuagonline\/wp-json\/wp\/v2\/media?parent=99"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}