{"id":203,"date":"2025-04-09T22:30:41","date_gmt":"2025-04-09T22:30:41","guid":{"rendered":"https:\/\/cubmpd.ca\/gateway\/?page_id=203"},"modified":"2025-04-10T00:07:48","modified_gmt":"2025-04-10T00:07:48","slug":"watching_territory","status":"publish","type":"page","link":"https:\/\/cubmpd.ca\/gateway\/watching_territory\/","title":{"rendered":"watching territory"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#5644ad&#8221; background_image=&#8221;https:\/\/cubmpd.ca\/gateway\/wp-content\/uploads\/2025\/04\/Capstone_coverpage.png&#8221; parallax=&#8221;on&#8221; height=&#8221;500px&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_mask_style=&#8221;on&#8221; background_mask_style=&#8221;bean&#8221; background_mask_color=&#8221;rgba(0,0,0,0.38)&#8221; background_mask_transform=&#8221;invert|flip_horizontal|flip_vertical&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_heading title=&#8221;watching territory&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; title_font=&#8221;elevon||||||||&#8221; title_text_align=&#8221;center&#8221; title_text_color=&#8221;#FFFFFF&#8221; custom_margin=&#8221;||-2px|||&#8221; hover_enabled=&#8221;0&#8243; title_text_shadow_style=&#8221;preset3&#8243; title_text_shadow_color=&#8221;#FFFFFF&#8221; global_colors_info=&#8221;{}&#8221; title_font_size=&#8221;40px&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_heading][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;elevon||||||||&#8221; text_text_color=&#8221;#FFFFFF&#8221; header_font=&#8221;elevon||||||||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\">SurveillART<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;||112px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_divider color=&#8221;#000000&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_heading title=&#8221;PROJECT DETAILS&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; title_font=&#8221;elevon|600|||||||&#8221; title_letter_spacing=&#8221;5px&#8221; title_text_shadow_style=&#8221;preset4&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_heading][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;&#8211;et_global_heading_font||||||||&#8221; text_text_color=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>\u201cExtending art to exist beyond the limitations of a physical space.\u201d<\/strong><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;&#8211;et_global_heading_font||||||||&#8221; text_text_color=&#8221;#000000&#8243; custom_padding=&#8221;||0px|||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">Our goal is to create a digital archive of the &#8220;watching territory&#8221;<\/span><span style=\"font-weight: 400;\">\u00a0exhibition to preserve and extend the impact of the artists\u2019 powerful narratives. By capturing and safeguarding these works in a digital space, we aim to provide an accessible platform that transcends the physical limits of the exhibition.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">During the exhibition, we introduced interactive augmented reality (AR) logos inspired by the<\/span><i><span style=\"font-weight: 400;\"> SurveillART<\/span><\/i><span style=\"font-weight: 400;\"> branding, transforming static symbols into dynamic portals of information. Visitors could scan these logos in real time to active AR displays that revealed deeper insights into the artwork and artist(s).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For long-term archival purposes, we used 360-degree camera technology to capture the exhibition, creating an immersive virtual walk-through that preserves the space\u2019s atmosphere and intent. This digital recreation integrates text, visuals, audio narration, and tutorials, providing viewers with an accessible and engaging way to explore the exhibition even after its physical closure. The archive will remain hosted on the <\/span><i><span style=\"font-weight: 400;\">SurveillART<\/span><\/i><span style=\"font-weight: 400;\"> website, ensuring continued access to its powerful narratives.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">More than just a digital archive, this interactive resource invites ongoing engagement with the exhibition\u2019s critical themes\u2014colonialism, surveillance, and territory\u2014encouraging reflection on their intricate intersections and lasting consequences.<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/cubmpd.ca\/gateway\/wp-content\/uploads\/2025\/04\/surveillart_logo-small.png&#8221; title_text=&#8221;surveillart_logo small&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_heading title=&#8221;Group Members&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; title_font=&#8221;elevon|600|||||||&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_heading][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;&#8211;et_global_heading_font||||||||&#8221; text_text_color=&#8221;#000000&#8243; custom_margin=&#8221;-30px|||||&#8221; custom_padding=&#8221;||0px|||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Nadja Radakovic<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Tristan Yel<\/span><span style=\"font-weight: 400;\">le<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Connor Eales<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Elisha C\u00f4t\u00e9<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Zedong Lin<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; 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_builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/cubmpd.ca\/gateway\/wp-content\/uploads\/2025\/04\/surveillart_logo_edited.png&#8221; title_text=&#8221;surveillart_logo_edited&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_heading title=&#8221;PARTNER&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; title_font=&#8221;elevon|600|||||||&#8221; title_letter_spacing=&#8221;5px&#8221; title_text_shadow_style=&#8221;preset4&#8243; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_heading][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;elevon||||||||&#8221; text_text_color=&#8221;#000000&#8243; custom_margin=&#8221;-24px|||||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>SurveillART<\/strong><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;&#8211;et_global_heading_font||||||||&#8221; text_text_color=&#8221;#000000&#8243; custom_margin=&#8221;-11px|||||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">As part of <em>SurveillART<\/em>, a co-laboratory at Carleton University, Dr. St\u00e9fy McKnight and research assistant Kayleigh Lewis curated the Watching Territories exhibition, bringing together Indigenous and settler artist-scholars to critically reflect on the history of territory, and its deep connections to surveillance.\u00a0 Through art, the exhibition invites viewers to engage with the complexities of territory, to examine how territory functions as a tool of settler colonialism\u2014reinforcing heteronormative, patriarchal, and capitalist structures.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><\/span><\/p>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/www.surveillart.ca\/&#8221; 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