{"id":990,"date":"2023-02-02T14:58:42","date_gmt":"2023-02-02T14:58:42","guid":{"rendered":"https:\/\/cubmpd.ca\/storytellers\/?p=990"},"modified":"2023-02-02T14:58:42","modified_gmt":"2023-02-02T14:58:42","slug":"part-2-facebook-has-had-too-many-facelifts","status":"publish","type":"post","link":"https:\/\/cubmpd.ca\/storytellers\/2023\/02\/02\/part-2-facebook-has-had-too-many-facelifts\/","title":{"rendered":"Part 2 \u2013 Facebook Has Had Too Many Facelifts"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_fullwidth_post_title meta=&#8221;off&#8221; force_fullwidth=&#8221;off&#8221; image_width=&#8221;80%&#8221; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; meta_font_size=&#8221;13px&#8221; background_color=&#8221;#201f1f&#8221; title_font_size_tablet=&#8221;&#8221; title_font_size_phone=&#8221;35px&#8221; title_font_size_last_edited=&#8221;on|phone&#8221; custom_css_post_title=&#8221;||||font-family: Inter;||font-style: normal;||font-weight: 900;||font-size: 54px;||line-height: 120%;||\/* or 65px *\/||text-align: center;||margin-left:40px;||margin-right:40px;||margin-bottom:40px;||color: #FFFFFF;||||text-shadow: 0px 4px 4px rgba(0, 0, 0, 0.25);&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_fullwidth_post_title][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#201f1f&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_divider color=&#8221;#FFFFFF&#8221; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_5,3_5,1_5&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_5&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/cubmpd.ca\/storytellers\/wp-content\/uploads\/2022\/12\/ArielBioImage-1.png&#8221; title_text=&#8221;ArielBioImage&#8221; url=&#8221;https:\/\/cubmpd.ca\/storytellers\/about-us\/&#8221; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; custom_css_main_element=&#8221;width: 48px;||height: 48px;&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#FFFFFF&#8221; positioning=&#8221;relative&#8221; horizontal_offset=&#8221;-137px&#8221; vertical_offset_tablet=&#8221;&#8221; vertical_offset_phone=&#8221;&#8221; vertical_offset_last_edited=&#8221;on|desktop&#8221; horizontal_offset_tablet=&#8221;0px&#8221; horizontal_offset_phone=&#8221;0px&#8221; horizontal_offset_last_edited=&#8221;on|phone&#8221; position_origin_a_last_edited=&#8221;off|desktop&#8221; position_origin_f_last_edited=&#8221;off|desktop&#8221; position_origin_r_last_edited=&#8221;off|desktop&#8221; custom_margin=&#8221;||||false|false&#8221; hover_enabled=&#8221;0&#8243; positioning_last_edited=&#8221;off|desktop&#8221; global_colors_info=&#8221;{}&#8221; custom_css_main_element_last_edited=&#8221;on|desktop&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h6><span style=\"color: #ffffff; font-size: 14px;\"><b>Ariel Aarenau<\/b><\/span><\/h6>\n<h6><span style=\"color: #ffffff; font-size: 14px;\">Dec 8, 2022 (published February 2, 2023) \u00b7 6 min read<\/span><\/h6>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_5&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_social_media_follow _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; text_orientation=&#8221;right&#8221; min_height=&#8221;55px&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_social_media_follow_network social_network=&#8221;linkedin&#8221; url=&#8221;https:\/\/www.linkedin.com\/in\/arielaarenau\/&#8221; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#007bb6&#8243; global_colors_info=&#8221;{}&#8221; follow_button=&#8221;off&#8221; url_new_window=&#8221;on&#8221;]linkedin[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; custom_css_main_element=&#8221;font-family: Inter;||font-style: normal;||font-weight: normal;||font-size: 20px;||line-height: 170%;||\/* or 34px *\/||||||color: #FFFFFF;&#8221; global_colors_info=&#8221;{}&#8221;]The year is 2004: Facebook is \u201copen for popular consumption at Harvard University,\u201d but Zuckerberg is anything but a household name (Wayback Machine, n.d.). The dominant social media platform is Myspace, and this continued to be the case for several years. In fact, by the time 2006 came around, Myspace was the most visited internet site in the United States (Lagorio, 2006). Myspace, which afforded its users a \u201cdistinctive Times Square look,\u201d is a description many would apply to the look and feel of most internet applications in the early 2000s (Kirkpatrick, 2011, p. 75). From Friendster to Myspace, there was no absence of flashing graphics, overuse of imagery, and overwhelming visual displays in the design of these platforms. This, at least in part, stemmed from the largely unrestricted ability these platforms gave users to customize their profiles and pages.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/cubmpd.ca\/storytellers\/wp-content\/uploads\/2022\/12\/3.png&#8221; title_text=&#8221;3&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; custom_css_main_element=&#8221;font-family: Inter;||font-style: normal;||font-weight: normal;||font-size: 20px;||line-height: 170%;||\/* or 34px *\/||||||color: #FFFFFF;&#8221; global_colors_info=&#8221;{}&#8221;]While few would describe it this way today, Facebook was once known for its \u201csimple, clean, and uncluttered\u201d look (Kirkpatrick, 2011, p. 11). Zuckerberg, who had a keen interest in \u201cminimalism\u201d and \u201celegant design,\u201d applied that belief system to Facebook, which, at the time, was quite pioneering (Ibid). Unlike Myspace and other social media sites at the time, Facebook\u2019s interface was far less customizable \u2013 a constraint purposely built into the product.<\/p>\n<p>The initial rollout of Facebook was restricted to Harvard undergraduates before it opened to all of the Ivy League schools and, subsequently, all universities and colleges. Facebook initially only allowed users to sign up with a \u201c.edu\u201d email address. Besides the fact that Myspace and others were not limiting who could join, this feature also meant that users had to sign up with their actual identity. The restrictions in who and how users could sign up continued as Facebook opened up to high schools before finally opening the platform to the public in 2006. &nbsp;<\/p>\n<p>2006 also marked the year of the Newsfeed, a content distribution methodology now as ubiquitous as social media itself. Now known as Feed, Facebook created a revolutionary, pervasive approach to organizing and displaying user-generated content. Feed was a core element and large driver in Zuckerberg\u2019s masterplan to \u201cconnect the world\u201d (Miller, 2014). &nbsp;With the platform open to the public and a groundbreaking approach to social sharing in place, Zuckerberg only had one element left to secure \u201ctotal domination\u201d \u2013 a jokingly stated goal of the company\u2019s employees according to reporting by David Kirkpatrick (2011, p. 275). Zuckerberg\u2019s final move to reach social media supremacy was turning Facebook into a \u201csocial graph.\u201d<\/p>\n<p>Zuckerberg popularized this term at the Facebook F8 conference in 2007 (Kirkpatrick, 2011). Simply put, the social graph represents the social relations between entities, and it became Facebook\u2019s ethos for many years. It is \u201cthe interconnections between Facebook users and their friends, their friends of friends, and all their interests and activities\u201d (Robison, 2022). It is the glue \u2014 or graph \u2014 that made Facebook so powerful (Ibid).[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/cubmpd.ca\/storytellers\/wp-content\/uploads\/2022\/12\/1.png&#8221; title_text=&#8221;1&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; custom_css_main_element=&#8221;font-family: Inter;||font-style: normal;||font-weight: normal;||font-size: 20px;||line-height: 170%;||\/* or 34px *\/||||||color: #FFFFFF;&#8221; global_colors_info=&#8221;{}&#8221;]As Facebook added features over the years such as groups, live video, and fundraising, the social graph became what connected users with the content these new features provided. The more people joined Facebook, the larger and more connected the social graph became. The strength of the social graph made Facebook unique, differentiating the platform from its peers. Through its Feed and social graph, Facebook became the place to connect with friends and family, and both publish and consume content you cared about from and for these groups. As the product evolved, the platform allowed users to share content in more diverse ways but seldom in a way that would create clutter in the site\u2019s design. Keeping things \u201csimple\u201d and \u201cclean\u201d was a key tenet of Facebook\u2019s approach and point of differentiation from Myspace and other social media sites at the time. The success of Facebook can be attributed to Zuckerberg\u2019s ability to balance removing constraints with increasing storytelling capabilities, alongside the rise of its unmatched social graph.<\/p>\n<p>Facebook now has close to 3 billion monthly active users (MAUs) \u2013 39.8% of the world\u2019s population (Statista, 2022). As proud as Zuckerberg was to share these numbers in the latest earnings call in October 2022, he did not attribute any of his success to the social graph (Meta Platforms Inc., 2022). In fact, he never uttered those words. Looking back at previous earnings calls, Zuckerberg went from using the term dozens of times to a complete removal of it from his vocabulary. The change in his vernacular points to both changes in user behaviour and preferences, as well as lack of differentiation in Facebook\u2019s model.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/cubmpd.ca\/storytellers\/wp-content\/uploads\/2022\/12\/2.png&#8221; title_text=&#8221;2&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; custom_css_main_element=&#8221;font-family: Inter;||font-style: normal;||font-weight: normal;||font-size: 20px;||line-height: 170%;||\/* or 34px *\/||||||color: #FFFFFF;&#8221; global_colors_info=&#8221;{}&#8221;]The shift from the social graph to AI-generated content (Meta\u2019s current focus) began in 2016 when Instagram reached the milestone of 1 billion MAUs \u2013 an achievement, outside of Facebook, that no other traditionally defined North American-focused social media platform had achieved. In a Medium post titled \u201cRediscovering the Social Graph,\u201d Sameer Singh declared Instagram the new Facebook (2022). In the post, he shared how Instagram has turned into a social graph. In addition to the platforms sharing social graph status, Facebook and Instagram\u2019s offerings are increasingly overlapping. Both platforms largely provide users a way to stay connected with friends and family. As Instagram grew, it removed several constraints that once differentiated photo sharing on its platform from photo sharing on Facebook. The dominant sharing methodology became eerily similar in functionality, and both platforms held social graph status.<\/p>\n<p>Sarah Frier, author of <em>No Filter: The Inside Story of Instagram,<\/em> notes in her book the concern Facebook and its executives had about growth at Instagram coming at the cost of its own platform (2020). It appears that apprehension may have been warranted. In 2021, the number of users on Facebook declined for the first time (Ghaffary, 2022). While the feature and capability overlap seems to be increasing every day, users are beginning to ask themselves why they need both Instagram and Facebook.<\/p>\n<p>Looking at the platforms today, it seems as though Meta is simply copying and pasting the Instagram product press releases and applying them to Facebook. Case in point: both platforms now give users the ability to share Stories and Reels, and Facebook did not even bother giving these once Instagram-based features a different name on its platform. Facebook\u2019s once unique Feed and Timeline features are now ubiquitous with social media. Finally, Facebook\u2019s supremacy in social graphing is now shared with Instagram. Simply put, Facebook lacks differentiated storytelling capabilities and has largely pulled away from the constraints and restrictions that once made it an appealing site to users. The app presently operates as a catch-all service, aiming to service its existing user base by providing them versions of hit features, capabilities, and product extensions that are found in other apps and, consequently, not purpose-built to serve their community. Facebook, which truly was once <em>something<\/em> special, now adopts <em>everything<\/em> and offers <em>nothing<\/em> different or better than its peers.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_5,3_5,1_5&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_5&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/cubmpd.ca\/storytellers\/wp-content\/uploads\/2022\/12\/ArielBioImage-1.png&#8221; title_text=&#8221;ArielBioImage&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100px&#8221; height=&#8221;100px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_5&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_2,1_4&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;||||false|false&#8221; custom_css_main_element=&#8221;font-family: Inter;||font-style: normal;||font-size: 16px;||line-height: 160%;||\/* or 26px *\/||||text-align: center;||color: #FFFFFF;&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><strong>Ariel Aarenau<\/strong> is in his final year of the Bachelor of Media Production and Design program at Carleton University where he is also minoring in Business. The fusion of digital media, design thinking, and innovative business technologies combines both his strengths and passions. He currently works at Deloitte as a Business Analyst focusing on digital strategy, innovation, and transformation advisory projects. Prior to joining Deloitte, Ariel held roles in Multimedia Services at the House of Commons of Canada, Marketing and Business Development for Deloitte Israel, and the Digitally Assisted Storytelling division of Carleton Immersive Media Studio.<\/p>\n<p>[\/et_pb_text][et_pb_divider color=&#8221;#FFFFFF&#8221; divider_weight=&#8221;7px&#8221; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;4_4,1_4&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<span style=\"color: #848484;\"><strong>References <\/strong><\/span><\/p>\n<p>Frier, S. (2020). <em>No Filter: The Inside Story of Instagram<\/em>. Simon &amp; Schuster.<\/p>\n<p>Ghaffary, S. (2022, February 3). <em>Facebook is shrinking<\/em>. Vox. Retrieved November 6, 2022, from https:\/\/www.vox.com\/recode\/2022\/2\/2\/22915110\/facebook-meta-user-growth-decline-first-time-metaverse-mark-zuckerberg-tiktok-competition-earnings<\/p>\n<p>Kirkpatrick, D. (2011). <em>The Facebook Effect: The inside story of the company that is connecting the world<\/em>. Simon &amp; Schuster Paperbacks.<\/p>\n<p>Lagorio, C. (2006, July 12). <em>MySpace pulls ahead in Page View Race<\/em>. CBS News. Retrieved November 6, 2022, from https:\/\/www.cbsnews.com\/news\/myspace-pulls-ahead-in-page-view-race\/<\/p>\n<p>Meta Platforms Inc. (2022, October 26). <em>Meta &#8211; Q3 2022 Earnings<\/em>. Meta Investor Relations. Retrieved November 6, 2022, from https:\/\/investor.fb.com\/investor-events\/event-details\/2022\/Q3-2022-Earnings\/default.aspx<\/p>\n<p>Miller, J. (2014, February 24). <em>Zuckerberg: Facebook&#8217;s mission is to &#8216;connect the world&#8217;<\/em>. BBC News. Retrieved November 6, 2022, from https:\/\/www.bbc.com\/news\/technology-26326844<\/p>\n<p>Robison, K. (2022, October 28). <em>Has Zuckerberg lost faith in his beloved social graph?<\/em> Fortune. Retrieved November 6, 2022, from https:\/\/fortune.com\/2022\/10\/28\/mark-zuckerberg-tiktok-panic-blindingly-obvious-because-of-something-he-wont-say\/<\/p>\n<p>Singh, S. (2022, June 22). <em>Rediscovering the social graph<\/em>. Medium. Retrieved November 6, 2022, from https:\/\/medium.com\/@sameer_singh17\/rediscovering-the-social-graph-8bd3960988ac<\/p>\n<p>Statista. (2022, August 1). <em>Facebook: Global penetration by region 2022<\/em>. Statista. Retrieved November 6, 2022, from https:\/\/www.statista.com\/statistics\/241552\/share-of-global-population-using-facebook-by-region\/<\/p>\n<p>Wayback Machine. (n.d.). <em>Web archive &#8211; thefacebook.com &#8211; 12 Feb 2004<\/em>. Web Archive &#8211; Internet Archive. 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Carleton University School of Journalism and Communication. All rights reserved.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The year is 2004: Facebook is \u201copen for popular consumption at Harvard University,\u201d but Zuckerberg is anything but a household name (Wayback Machine, n.d.). The dominant social media platform is Myspace, and this continued to be the case for several years. In fact, by the time 2006 came around, Myspace was the most visited internet site in the United States (Lagorio, 2006).<\/p>\n","protected":false},"author":6,"featured_media":992,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","footnotes":""},"categories":[1,17],"tags":[],"class_list":["post-990","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stories","category-ariel"],"_links":{"self":[{"href":"https:\/\/cubmpd.ca\/storytellers\/wp-json\/wp\/v2\/posts\/990","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cubmpd.ca\/storytellers\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cubmpd.ca\/storytellers\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cubmpd.ca\/storytellers\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/cubmpd.ca\/storytellers\/wp-json\/wp\/v2\/comments?post=990"}],"version-history":[{"count":9,"href":"https:\/\/cubmpd.ca\/storytellers\/wp-json\/wp\/v2\/posts\/990\/revisions"}],"predecessor-version":[{"id":1084,"href":"https:\/\/cubmpd.ca\/storytellers\/wp-json\/wp\/v2\/posts\/990\/revisions\/1084"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cubmpd.ca\/storytellers\/wp-json\/wp\/v2\/media\/992"}],"wp:attachment":[{"href":"https:\/\/cubmpd.ca\/storytellers\/wp-json\/wp\/v2\/media?parent=990"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cubmpd.ca\/storytellers\/wp-json\/wp\/v2\/categories?post=990"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cubmpd.ca\/storytellers\/wp-json\/wp\/v2\/tags?post=990"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}